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Word: guitar (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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...eight previous releases. The Flecktones fuse jazz, funk and bluegrass into an eclectic mix of musical virtuosity that escapes the confines of any genre, using sounds ignored in mainstream rock, including Bela Fleck's Grammy-winning banjo skills and Future Man's synthaxe drumitar, a sort of percussion guitar that changes from rhythm to lead. Victor Wooten, arguably the best bass player alive, shines throughout...

Author: By Nikki Usher, | Title: Album Review: Greatest Hits of the 20th Century by Bela Fleck and the Flecktones | 12/3/1999 | See Source »

...major-label American Recordings. Now they've returned to their roots with Nettwerk Productions' double-release of their greatest hits and the corresponding B-sides, although it's mainly an excuse to eliminate the band's singles from the catalog. The two albums, with earlier tracks containing more guitar while later tracks sound more like KMFDM on drugs, are more than anything a reminder that of all contemporary musical genres industrial is by far the most religious--the industrial sound tries to sound like Satan because it believes the machine is evil. Skinny Puppy were romantics finding refuge...

Author: By Benjamin E. Lytal, CRIMSON STAFF WRITER | Title: Album Review: The Singles Collect and The B-Sides Collect by Skinny Puppy | 12/3/1999 | See Source »

Perhaps the most listenable of Beck's rock-funk-bluegrass-soul-country-rap-electronica-polka menageries, the new Midnite Vultures adds soulful guitar licks, raging horns and many, many funk-inspired hooks to the usual mix of winsome melodies, carefully orchestrated electronic honking and bizarre lyrics produced by the world's hippest white guy. Played in its entirety last Sunday night on WFNX 101.7 FM, the album goes on sale...

Author: By Benjamin D. Mathis-lilley, | Title: Preview: beck's new midnite vultures | 11/19/1999 | See Source »

...clear funk influence pervades the disc; despite layers and layers of noise, the larger portions of tracks such as "Milk and Honey" and the high-energy first single "Sexx Laws" remain sparse, highlighting the intertwining riffs which pop from guitar to bass to trumpet to sax and back. "Sexx Laws" and its driving horns might come straight from the James Brown songbook; other tunes could back up gangsta rap (though it's unlikely Method Man would tolerate this couplet, from "Hollywood Freaks": "We drop lobotomy beats/Evaporated meats"). The fantastically mellow "Debra" even features an impassioned falsetto vocal delivered...

Author: By Benjamin D. Mathis-lilley, | Title: Preview: beck's new midnite vultures | 11/19/1999 | See Source »

...content to merely lay down the groove and the ridiculous innuendo, Beck punctuates these tunes with seemingly incongruent sections. The chorus of "Milk and Honey" is radio-worthy arena rock; "Sexx Laws" breaks for a synthesizer-slide guitar-banjo trio. Yes, a banjo. This would seem to be either an odd attempt at musical novelty or a drug-inspired venture into self-indulgence. But, like the rest of Midnite Vultures, the banjo works, and brilliantly...

Author: By Benjamin D. Mathis-lilley, | Title: Preview: beck's new midnite vultures | 11/19/1999 | See Source »

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