Word: guitar
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Dates: during 1990-1999
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...filled with spite and malice. The chorus smashes back in with reckless abandon and closes in a pile up of distortion and sludge but under it all there are new subtle touches. In "Aurora," what could have degenerated into forgettable mid-tempo filler is saved by spirals of guitar work that slip away as a single chiming guitar builds to a lush conclusion. While it doesn't rock with the fury of Grohl's standard fare, the newfound restraint only adds to its emotional impact. "Learn to Fly," the first single off the album, sneaks sparse, soaring pop into...
...violins, gut-strung and armed with baroque bows. The theorbos, or chitarrones, their halved-pear bodies flowering into tall, lyrical stalks. The melancholy viola da gamba and the haunting lirone shaped like early venuses. The blockflutes, the recorders with their warm and woody sound. The tiny baroque guitar, cradled like a courageous lap-dog, and the harpsichords, the harpsichords: banquet tables of the basso-continuo; two banks of oars pulling across the river...
...Guster came into being. Ryan Miller (vocals and guitar), Adam Gardner (vocals and guitar) and Brian Rosenworcel (percussion) discovered each other on the Tufts campus and formed the Boston-area band originally known as Gus. They relied--and still rely--on their reps, fans who volunteer to sell albums and spread the word about their band. Eventually, dissatisfied with the common band name "Gus," the unique band made the switch to "Guster," the band who put on one of the best performances, quite frankly, that I've ever been...
...Vaux: I like music that everyone else hates, like Journey, Chicago, Yes, and King Crimson. Among the new bands, I really like Jamiroquai. I also listen to a lot of jazz guitar (George Benson, John Pizzarelli) and Armenian folk music...
...original glam scene. Glampire's third full album, The Heraldic Universe, walks the line between dark pop and post-teenage angst. The music is a mixture of goth, synth, perky rock beats, and tinges of NIN tonalities. Unfortunately, you'll have to deal with the cheesy '80s-style electric guitar in the opening tracks. Add in Glampire's androgynous voice to the back-to-back songs "Super Sad" and "Happy Again?" and you'll roll your eyes. But in true glam style, he enunciates well and the accompaniment never overpowers his voice, so you can enjoy his entertainingly cynical lyrics...