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Word: guitar (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...When Soprano Maria Jeritza made her Metropolitan Opera debut in Erich Wolfgang Korngold's Tote Stadt, Manhattan was scoured for a "property" lute called for in the book. No lute could be found; a guitar was used instead...

Author: /time Magazine | Title: Music: Strings | 12/2/1929 | See Source »

...Madrid's ancient, crooked streets in the still twilight, he stopped to listen to a blind musician. The man's face was tinted and seamed like a Rembrandt burgomaster's. The instrument on which he played was even more unusual. Most people would have called it an outlandish guitar or mandolin. But Don Francisco, cultivated, scholarly, knew it for a lute...

Author: /time Magazine | Title: Music: Strings | 12/2/1929 | See Source »

...many as 24 gut strings. Lutanists (musicians who play the flute are flautists; musicians who play the lute are Internists or lutenists) plucked or twanged the strings either with their fingers or a plectrum. Because of its spoon-shaped body the instrument cannot be confused with the modern guitar which has a flat bottom joined to the sound board by separate ribs. In appearance it is more like the mongrel, wire-strung mandolin...

Author: /time Magazine | Title: Music: Strings | 12/2/1929 | See Source »

...actions and whereabouts during each minute of the day and goes to her Connecticut farmhouse, isolated on a bad road branching off other bad roads. Often she drives there speedily, expertly in her blue Studebaker. In Connecticut she turns herself over to her caretaking couple, her gardens, her guitar. There she entertains her closest friends?Elsie Janis, Ethel Barrymore, Clare Eames, Constance Collier, Mrs. Stuart Benson (business manager of the Civic Repertory Theatre), Madame Ouspensky (directrix of the American Laboratory Theatre), Mercedes de Acosta, Helen Lohmann, Irma Kraft...

Author: /time Magazine | Title: The Theatre: Civic Virtue | 11/25/1929 | See Source »

Madonna of Avenue A (Warner). A Bootlegger who sings nicely in the moonlight, accompanying himself on the guitar, meets a lonely girl from a private school, teaches her how to drink. Ousted from school, the girl visits Manhattan to find the Park Avenue home her mother has spoken of so often. It is a dull, wandering fiction, hardly made bearable by the good looks of Dolores (Mrs. John Barrymore) Costello. Most expected shot: the moment when the girl and her mother meet in a bar where the mother, who had lied about her high estate, has been swigging with sailors...

Author: /time Magazine | Title: Cinema: The New Pictures Aug. 26, 1929 | 8/26/1929 | See Source »

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