Search Details

Word: guitar (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...Heaven." From the smooth "Dazed and Confused," the band's bluesy influence shines through, in almost all tracks, including the laid-back "When the Levee Breaks." Rest assured, there are songs such as "Black Dog" that feature Page's trademark banshee wail, not to mention Plant's scorching guitar riffs, all of which became synonymous with the band's earlier studio sessions. The visceral thrills in "Rock and Roll" and "Communication Breakdown" hurtle with the subtlety of a rhinoceros on amphetamines, impelled by Bonham's frenetic percussion...

Author: By James Crawford, CONTRIBUTING WRITER | Title: Album Review: Those 70's Shows: Classic Rock Reviews | 12/3/1999 | See Source »

...which Phil Collins' conversational vocals become very intimate. "Tonight, Tonight, Tonight," a song about sexual desire infused with a little '80s electronic music, is a darker single from the same album. Other predictable songs are here, such as "I Can't Dance" and "ABACAB," the latter whose introductory guitar riff is familiar, even if you didn't know from which track it came. "Jesus He Knows Me," an ironic single about evangelism and the cult of religion, drives forth with infectious energy, while the soulful inflections on "That's Me" illustrate that Genesis are multi-dimensional, if not fully experimental...

Author: By James Crawford, CONTRIBUTING WRITER | Title: Album Review: Those 70's Shows: Classic Rock Reviews | 12/3/1999 | See Source »

Sure, I could know the history of the blues. I could tell you that it grew out of sharecroppers' songs in the Mississippi Delta, and that the patron saint of those gritty Delta blues is guitar virtuoso John Lee Hooker. I could tell you how the blues followed the sharecroppers as they looked for jobs up North, first in Memphis, where the blues would fuse with country music to create rock and roll, and then up to Chicago, where it would settle into a pulsing rhythm and produce the likes of Muddy Waters and Howlin' Wolf...

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: Genrecide | 12/3/1999 | See Source »

...Yeah, especially King Tubby, that kind of stuff. The Clash, of course. And then I kind of took a step back from what I think of as guitar-based music, when hip-hop started to kick off and got into that and then techno and a lot of electronic music. Kraftwerk were massive influences. I got into Detroit techno, especially early Detroit techno, Chicago house, and then I think it got a bit lame, it got a bit boring, and it got a bit obvious, and that's when I started going back to guitar-based stuff and Jesus...

Author: By Josiah J. Madigan, CONTRIBUTING WRITER | Title: "It's Just Trance Music, Really" | 12/3/1999 | See Source »

...easy to see the group's objection to its typecasting--despite band masterminds Richard Fearless and Tim Holmes touring with two guitar players, a bassist, a drummer, a keyboardist and a two-man horn section, the band is invariably compared to groups like Chemical Brothers and Massive Attack. Still, the easiest explanation for the persistence of the electronica label is the lack of a regular vocalist. After all, how many rock bands can you name that don't have a singer? In keeping with this idea of unconventionality, the band somehow managed to play a sterling, albeit too-short...

Author: By Josiah J. Madigan, CONTRIBUTING WRITER | Title: Love and Death in Vegas | 12/3/1999 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | Next