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...testimony is both graphic and moving, and it takes two forms. There is an outward and an inward questioning, both of which led to the self-proclaimed "radicalization" of the defendants. The outward questioning consists of an account of conditions in other countries for which the Catonsville Nine hold the U.S. morally culpable. For example, Defendant George Mische testifies...

Author: /time Magazine | Title: The Theater: Of Law, Duty and Conscience | 2/22/1971 | See Source »

Trash. Paul Morrissey wrote and filmed this surprisingly short, well-edited and well-shot depression comedy for the Andy Warhol factory. Joe Dallesandro plays a heroin addict whose habit interferes with his sex life and Holly Woodlawn is his transvestite girl-next-door. For all its graphic sex and language, Trash maintains a point of view that is decidedly old-fashioned, morally speaking. As a result, this movie is a most original and affecting examination of the rapprochement of the Old America...

Author: By Frank Rich, | Title: The Ten Best Films of 1970 | 1/11/1971 | See Source »

...military courtroom at Fort Benning, Ga. He had constructed his case well; but with the appearance of Turner and two other former Calley platoon members, Charles Sledge and James J. Dursi, it became obvious that Daniel, in the best tradition of courtroom dramatics, had saved some of the most graphic testimony to wind up his presentation...

Author: /time Magazine | Title: Trials: Lieut. Calley at Bay | 12/21/1970 | See Source »

...family and friends-auto racing, glider flying, womanizing. With rare charm, he also caught the nostalgic flavors and spicy fashions of seven decades -from pleated cascades of ankle-length silk in the Bois de Boulogne (1904) to the rayon trickle of miniskirts on Carnaby Street (1968). One of the graphic confections of the year...

Author: /time Magazine | Title: Books: Deck the Shelves: For $3.95 and Up | 12/14/1970 | See Source »

...Greek chorus sets the stage and beautifully suggests the pair's lifelessness and plasticity by treating them as just two more props to be moved into place. Another innovation is the actual acting out of the Tahitian movie, a touch that makes the suburbanites shrink further into irreality, by graphic contrast with the film characters of their imagination...

Author: By Aun Derrickson, | Title: Let the People Sing Out | 12/4/1970 | See Source »

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