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...which he denounced the crimes of Joseph Stalin. His motives for delivering the speech were decidedly mixed. He was by no means a crusader for personal liberties, but he was sufficiently disenchanted with the old dictator's legacy of fear and repression to repudiate Stalin in 20,000 graphic words. The speech was a personal triumph and helped Khrushchev consolidate his power. But it also loosed forces that inexorably led to the fragmentation of the Communist world...

Author: /time Magazine | Title: The World: The Man Between Two Eras | 9/20/1971 | See Source »

...film makers choose to dub a Black Jesus. The fascist regime of his country hurriedly runs him to earth. Brought before the local Pontius Pilate (Jean Servais), Lalubi is cast into jail with a thief (Franco Citti), and tortured with nails driven into his hands. After a series of graphic humiliations, he is stabbed in the side by a soldier and dies. Organ music purls throughout to underline both the literal symbolism and the unadorned wretchedness of the performances. Two exceptions must be noted: Servais as the conscience-haunted functionary, and Strode himself. For years Strode, a former Los Angeles...

Author: /time Magazine | Title: Cinema: Bad Faith | 9/20/1971 | See Source »

...wall. A skeleton lies across a railroad track, two bony ringers stuck between fleshless lips to whistle an approaching train to its accident. Cliffs become gloomy torsos, a lobster floats in air. The images seem like snippets from a surrealist collage by Max Ernst. In fact, they filled the graphic work of a 19th century German academician named Max Klinger...

Author: /time Magazine | Title: Art: Etcher of the Id | 8/30/1971 | See Source »

...real "find" here is 15 Prints After Dürer's "Apocalypse" by 35-year-old Lubos Fišer (pronounced Fisher). Read musical episodes for prints, and you have a work that does not so much interpret Dürer, as reflect the austere purity of his graphic...

Author: /time Magazine | Title: Music: Records: Summer's Choice | 8/30/1971 | See Source »

...interested in everything, from the nap of a rabbit's fur or the extra legs on a mutant pig to the theory of human proportion. His graphic work was a sustained paean to the diversity of the world. There was often an edge of apocalyptic menace in the way he perceived it. He wrote a treatise on proportion, but he was shaken by portents, frightened by monsters and preyed on by nightmares?all of which he described and to some degree exorcised by drawing them. But his curiosity remained insatiable, and it drove him to constant journeying...

Author: /time Magazine | Title: Durer: Humanist, Mystic and Tourist | 7/12/1971 | See Source »

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