Word: graphically
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YELLOW SUBMARINE. The Beatles appear in animated form in this sprightly and sometimes derivative cartoon adventure that goes on for too long but has some amusing moments, thanks mostly to the droll ideas and graphic artistry of Animator Heinz Edelmann...
Marion, 24, is a leggy, attractive and not very bright brunette model. Lodi, 21, is a photographer, and his friend Ruud, also 21, is a graphic designer. Be cause all were naive enough to trust a 37-year-old tough from Amsterdam's red-light district named Jan Huivenaar, they ended up in Eastern European jails...
...wrote Ralph Waldo Emerson in 1841. And so believes American Composer Earle Brown, 42, whose music bears an unmistakable relationship to the plastic arts. Brown's work owes a debt to the mobile sculpture of Alexander Calder and the abstract expressionist painting of Jackson Pollock. His scores are graphic in their detail and precision, but he believes in a certain improvisation or mobility within a performance itself. Therein lies the influence of Calder, whose mobiles are made of 15 to 20 parts moving freely in space and changing their relationships with one another from minute to minute. Pollock...
...fury in the space of a second. Like them, it has aspects of a legend that has outlived its time. Like them, it strains for respectability-and never makes it. For all its sober posture, the film is hooked on its participants. It stays too long at the graphic garroting; it details too lovingly the good old days when a "hit" (a decreed death) cost a fast 75 bucks. It forgives the criminal because, though he is endemically corrupt, he is thoroughly dramatic...
YELLOW SUBMARINE is an eclectically animated voyage to Pepperland, starring four cartoon Beatles. The score is mostly familiar, and the film decidedly too long, but Animator Heinz Edelmann works a few droll visual puns and some distracting graphic legerdemain...