Word: basse
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Maria Meneghini Callas, a famous diva. . .Soprano Giovanni Meneghini, her aging husband. . .Bass Elsa Maxwell, her trusted confidante Baritone Evangelia Callas, her estranged mother. . .Contralto Aristotle Onassis, a wealthy shipowner. . .Tenor Athina Onassis, his beautiful young wife. . .Mezzo...
Candlelight flickered against the low ceiling of Washington's Showboat Lounge one night last week as a mild-mannered Virginian named Charlie Byrd started strumming the strings of his guitar. With bass and drum accompaniment, he played his own composition, Spanish Guitar Blues, went on to a hot-swinging number called Yoti Took Advantage of Me, and then pulled a 180° switch-two solo Bach gavottes, sedate Frescobaldi variations, Villa-Lobos' rolling Prelude in E Minor. At 33, Byrd is that rarity, a musician so versatile that he qualifies as one of the world...
Bach: The Brandenburg Concertos (Baroque Ensemble of Stuttgart, conducted by Marcel Couraud; Columbia, 2 LPs). Six concertos, each for a different combination of instruments (including horns, oboes, bassoons, flutes, double bass), and each giving an ample showing of Bach's inventiveness and variety which range from dainty to dynamic, once again make clear why Bach is undisputed master of the baroque style...
...recently discovered Italian Jesuit philosopher whose lifelong ambition was not to compose music but to become canon at the Cathedral of Trento. Bonporti (1672-1749), who remained an ordinary priest and died brokenhearted, abandoned Corelli's standard concerto-grosso form, loaded his dialogues between violins, violas and bass with such a personal, rhythmic melody that he became a forerunner of 19th century romanticism...
...Modern Jazz Quartet, a fine, precise team of arrangement-conscious musicians led by Pianist John Lewis, who make jazz sound like a 19th century tone poem. With a sharp, clear vibes, a versatile piano, a bass and a set of traps, the quartet warmed up with a cool version of I'll Remember April, approached mastery in its last offering, a three-part number (The Singer, Harlequin, Contessa) delivered in a boogie-woogie, bass-led tempo and highlighted by an atonal, polyphonic piano...