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...Julian ("Cannonball") Adderley insist on TV one evening that jazz criticism is "a joke." Allen scribbled several funky tunes (Hackensack Train, Fink's Mules, Too Fat Boogie) and recorded them as the work of Pianist-Composer Hammer. He tricked up some of the tracks by recording first the bass, then the upper register and gluing them together. Under a second assumed name - Ralph Goldman - he wrote some typically pretentious liner notes: "Like Peck Kelly of Texas and Joe Abernathy of New York, Hammer has become a legendary figure...

Author: /time Magazine | Title: Music: The Secret Life of B. Hammer | 12/14/1959 | See Source »

...results could make a cardiac case out of a cuttlefish. In Rock du Coeur, the heart thuds (behind an electric guitar, a clavichord and drums) like a bass fiddle muffled in cotton wool. In Cha-Cha du Coeur, the heart sounds louder, its labors interrupted now and then by whispered "cha cha chas." The effect on the listener, noted France-Soir, was to create "a kind of obsession, almost anxiety." But Paris cats were buying the record briskly last week, and other record makers are sure to approach Model Guillenette with stethoscopes in hand; nobody, she said...

Author: /time Magazine | Title: Music: With a Song in My Heart | 12/7/1959 | See Source »

...Dotter in Portland and in 30 by Dr. Gensini in Syracuse, the procedure begins with insertion of a thick, hollow needle (under local anesthetic) into the femoral artery. Through the needle the diagnostician passes a flexible steel spring, like a plumber's snake (or like the bass strings of pianos and guitars). The needle is soon withdrawn. Inside the steel spring is a single-strand steel wire for stiffening. As in the Syracuse housewife's case, polyethylene tubing is slipped over the steel spring. But in her case, the doctors did not go beyond the aorta. Now they...

Author: /time Magazine | Title: Medicine: Spring in the Heart | 11/30/1959 | See Source »

...snickered; later he was to say, "People thought I fought for fame, but I only fought my way through from being the town fool and the family idiot.'' It was a long fight; Lindsay was 33 when Harriet Monroe printed General Booth (with its parenthetical instructions for bass drum, banjo and flute accompaniment) in her Poetry Magazine...

Author: /time Magazine | Title: Books: Poet of Springfield | 11/23/1959 | See Source »

Booth led boldly with his big bass...

Author: /time Magazine | Title: Books: Poet of Springfield | 11/23/1959 | See Source »

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