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...Brighton College), got a job with a South American cigarette company, but was thrown out when he pinked his mistress' fiancé in a revolver duel. A bounder, but not yet a villain, Sanders returned to London and developed a low opinion of singers by briefly becoming one (bass-baritone). The move to cinema came naturally, and the author's sneer became permanently and profitably fixed...

Author: /time Magazine | Title: HOLLYWOOD: Content with Mediocrity | 3/28/1960 | See Source »

...Cannes, skindivers soar around beds of jeweled coral-reds, violets, purples, yellows-in pursuit of sea bass and mullet. In Australia they prowl the caverns of the1,250-mile Great Barrier Reef, or play tag with the gregarious seals that frolic off Carnac Island. Near London, divers happily muddle through the ooze of a dank lake in Black Park...

Author: /time Magazine | Title: Sport: Poet of the Depths | 3/28/1960 | See Source »

...Wheel. Among the newer comics, from sickniks to social satirists, Joey stands alone. His wry, deadpan comments raise even the obvious to the realm of high comedy. At the Sands, in the midst of chaos and pure corn-Sinatra beating a bass drum that advertises his L.A. beanery, or Dean Martin drinking Scotch from an ice bucket-Joey can still be funny...

Author: /time Magazine | Title: NIGHTCLUBS: Joey at the Summit | 2/22/1960 | See Source »

...dull and conventional. As Leonore, the faithful wife, Norwegian Soprano Aase Nordmo Loevberg showed neither the vocal nor the dramatic power her taxing role demanded. In minor roles, Soprano Laurel Hurley and Tenor Charles Anthony were adequate as the jailer's daughter, Marzelline, and the turnkey Jacquino, and Bass Oskar Czerwenka contributed a strong, virile-voiced Jailer Rocco. But in their first-act quartet in the form of a canon, Mir ist so wunderbar, the four were often shakily uneven. The only real star of the evening proved to be Canadian Tenor Jon Vickers as Florestan, who sang...

Author: /time Magazine | Title: Music: Journeyman Fidelio | 2/8/1960 | See Source »

...rousingly conducted by 29-year-old Thomas Schippers. In the role of the Dutchman (equated by Wagner with both Odysseus and the Wandering Jew) Baritone George London was convincingly demon-ridden, his voice fresh, passionate but controlled. In the comparatively minor role of Daland, the Norse sea captain, Bass Giorgio Tozzi-convincingly costumed in turtleneck sweater, jacket and boots-sang with warm-timbred verve, while Tenor Karl Liebl turned in his best performance of the season as the huntsman Erik. But the real standout of a standout cast was Soprano Leonie Rysanek in the role of Senta, the self-sacrificing...

Author: /time Magazine | Title: Music: Dazzling Dutchman | 1/25/1960 | See Source »

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