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bandstand of the narrow, crepe paper-festooned dance hall behind the bar ("Ladies Will Not Be Let in at the Door Wearing Shorts or Slacks") sit a pianist, trumpeter, guitarist, bass fiddler. As the evening wears on and the smoke from the wall tables eddies through the room, the band is likely to swing with a pile-driver beat into some old favorites-Big Mamou or Shake It and Break It. The style, as raw and jolting as a shot of bootleg rye, offers the last authentic taste of the music that once helped make New Orleans the world...

Author: /time Magazine | Title: Music: Jazz Records | 6/29/1959 | See Source »

Lateef at Cranbrook (Yusef Lateef, tenor sax; Frank Morelli, baritone sax; Terry Pollard, piano; William Austin, bass; Frank Gant, drums; Argo). A quintet given to spicing the group sound with finger cymbals, a one-stringed rebab, and a scraped ram's horn turns its talents to exploring Leader-Composer Lateef's oriental-flavored jazz fancies. Morning and Let Every Soul Say Amen may be too exotic for some tastes, but the easy-swinging sax flights of Gillespie's Woody'n You ought to set any pulse to bouncing...

Author: /time Magazine | Title: Music: Jazz Records | 6/29/1959 | See Source »

...Rollins and the Big Brass (Metrojazz). On one side of this disk, Tenor Saxophonist Rollins silhouettes his dry, spare sax sound against a textured curtain of trumpets and trombones, with striking effect in such numbers as Who Cares? and Far Out East. On the other side, backed only by bass and drums, he noodles his way through a series of willowy inventions (on Manhattan, Body and Soul) as continuously surprising as a meandering country road...

Author: /time Magazine | Title: Music: Jazz Records | 6/29/1959 | See Source »

...Soft Sell (Paul Horn, woodwinds; Tommy Loy, French horn; Jimmy Rowles, piano; Shelly Manne, drums; Don Bagley, bass; Dot). A suave and discreet group worries through wistful laments such as Paul's Blues and upbeat numbers such as It's Cooler Inside. Pianist Rowles's feathery acrobatics are a lyric delight, but the real news here is Newcomer Loy, who can cajole his French horn into swinging solos or softly twine it about Paul Horn's alto flute...

Author: /time Magazine | Title: Music: Jazz Records | 6/29/1959 | See Source »

...down as Kanin writes of the antic hey-hey, but the mood is so pleasant and pervasive that the bemused reader is willing to forgive Author Kanin for taking a few choruses too many. The people are alive-the pretty French girl who collects jazz and jazzmen, the frazzlewit bass player who concocts a marijuana fudge...

Author: /time Magazine | Title: Books: The Lost Beat | 6/29/1959 | See Source »

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