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...Smith's work was the climax of a tradition of open, sheet-metal sculpture that began in 1912 with Picasso's tin guitar; Saint-Gaudens, at the end of the 19th century, epitomized the academic tradition of public speech through bronze casting, whose roots wound back to Donatello and Verrocchio...

Author: /time Magazine | Title: Art: American Renaissance Man | 6/21/2005 | See Source »

Throughout his long life, and for 150 years after his death, George Stubbs (1724-1806) was known as a horse painter. Never mind the Parthenon frieze, the Marcus Aurelius, the equestrian portraits of Verrocchio or Donatello, or any of the rest of the vast repertory of equine imagery in Western art: horse painting, like "sporting" art generally, tends to be seen as a minor style of aesthetic tailoring, shaped to reflect the blunt amusements of a class not much liked by connoisseurs. Painters like Sir Alfred Munnings, who filled canvas after canvas with accurate replications of poised fetlocks and lobb...

Author: /time Magazine | Title: Art:George Stubbs: A Vision of Four-Legged Order | 11/19/1984 | See Source »

...course, anyone who has seen a clay modello by Bernini or a Della Robbia plaque, a Kändler figure or terra cotta Madonna by Verrocchio, knows that all ready. In that sense the debate is pointless. But the misunderstanding survives, though clay is the oldest form of sculpture: God did not chip Adam from marble, or weld him together...

Author: /time Magazine | Title: Art: Molding the Human Clay | 1/18/1982 | See Source »

...ranking (Dürer? Raphael? Ingres?). But of the first two there can be little doubt. One was Michelangelo; the other was Leonardo da Vinci. The bastard son of a Florentine notary, Leonardo was born in 1452 and died in 1519. Almost from the moment that he emerged from Verrocchio's workshop in the 1470s and began his long, peripatetic and disappointed life among the courts of Rome, Milan, France and his home town, Florence, his graphic power was a source of utter astonishment to his contemporaries. When commentators applied the adjective divino to him (as they regularly...

Author: /time Magazine | Title: Art: The Apocalypse on a Postcard | 3/23/1981 | See Source »

...guest will be Elio Gabbuggiani, mayor of Detroit's "sister city" of Florence, Italy, who was initially refused a visa by U.S. authorities because he is a Communist. With the mayor comes a loan of the priceless bronze Boy with a Dolphin by Renaissance Sculptor Andrea del Verrocchio. The Detroiters had thought that they had the loan of Donatello's David locked up-a sure-fire draw for the new Ren Cen-but the Italian culture ministry said...

Author: /time Magazine | Title: BUILDING: Motown Meets the Renaissance | 4/18/1977 | See Source »

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