Search Details

Word: verrocchio (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...guest will be Elio Gabbuggiani, mayor of Detroit's "sister city" of Florence, Italy, who was initially refused a visa by U.S. authorities because he is a Communist. With the mayor comes a loan of the priceless bronze Boy with a Dolphin by Renaissance Sculptor Andrea del Verrocchio. The Detroiters had thought that they had the loan of Donatello's David locked up-a sure-fire draw for the new Ren Cen-but the Italian culture ministry said...

Author: /time Magazine | Title: BUILDING: Motown Meets the Renaissance | 4/18/1977 | See Source »

...spread belies the slenderness of the old priest, who was probably about 80 when the likeness was made. His face is all parchment and bone. The prow of a nose and the jutting underlip have a fierce antique gravity, like Renaissance portrait sculpture-one thinks of the faces of Verrocchio's Colleoni or Donatello's Gattamelata. Every cut of the chisel seems to possess the final, unlabored Tightness of a brush stroke by a master of sumi-e (ink painting). There is probably not a sculpture on view in America this week that gives a clearer impression...

Author: /time Magazine | Title: Art: Wooden Priests, Painted Dragons | 1/17/1977 | See Source »

...Bauhaus, that pedagogic test bed of total design that started in Weimar 55 years ago and was shut down by Hitler in 1933, now seems almost as remote as William Morris' workshop or Verrocchio's studio. It has become part of the "golden legend" of modernism. Except for Josef Albers and Marcel Breuer, the chief Bauhaus teachers of art, design and architecture are dead: Kandinsky, Klee, Moholy-Nagy, Gropius, Mies van der Rohe. Even the ideal that hovered above Bauhaus practice -that social conduct could be purified and made better by all-embracing design systems-now seems...

Author: /time Magazine | Title: Art: Superb Puritan | 11/18/1974 | See Source »

Nothing Oldenburg does is lacking in irony-and this includes his wish to make monuments. The traditional language of monuments was heroic-Napoleon gesturing on a marble plinth festooned with trophies and Graces, or Verrocchio's statue of Bartolomeo Colleoni raking his bronze eyes across a conquered piazza from his striding horse. The monumental hero is, actually and metaphorically, bigger than life. But to make one, there has to be some belief in heroes, and there must be something to celebrate...

Author: /time Magazine | Title: Art: Magician, Clown, Child | 2/21/1972 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | Next