Word: verrocchio
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Fabiani certainly enjoys the mayoralty, now that the people have given it to him. To approach the office of this proletarian dignitary, you pass through a courtyard with Verrocchio's famous bronze put to, then up the stairs to the great hall with its Vasari frescoes and a Michelangelo statue, thence into an anteroom which used to be Pope Leo's chamber. Nothing so vulgar as a "no smoking" sign could be tolerated here; carefully chiseled stone tablets proclaim: "ll Sind-aco proibisce di fumare in questa sola" (The Mayor forbids smoking in this hall...
...work. He was born, out of wedlock, at the Tuscan town of Vinci, in 1452. His father was a prominent lawyer, his mother a peasant woman. The bastard was brought up by his father. Precociously gifted in painting and drawing, he was sent to work with Andrea del Verrocchio, a sculptor and art teacher of Florence...
...Soldiers of fortune during the Renaissance, the namesakes of both these ships are familiar in effigy to most U. S. tourists. The statue of Colleoni by Verrocchio, which stands in the Campo Santi Giovanni e Paolo in Venice is one of the world's great equestrian statues; several casts of it are in U. S. museums. The statue of Giovanni delle Bande Nere (a Medici, only one of the family who ever became a soldier) sits before the Medici church of San Lorenzo in Florence. Its sculptor was Baccio Bandinelli who considered himself a rival of Michelangelo. Michelangelo himself...
...contract with the Venetian Republic. He agreed to lead the Venetian army against Milan in return for a large sum in cash and a statue of himself on horseback in the middle of St. Mark's Square. The statue was finally erected blocks away, but it was by Verrocchio. It is now generally considered the greatest equestrian statue in the world...
...Dossena sculptures had been sold as original antiques by the great Renaissance artists: Donatello, Verrocchio, Mino da Fiesole, Niccola Pisano, etc., etc. Newspapers, promptly dubbed him "world's greatest forger," and before the excitement was over the notorious Elia Volpi and several other over-shrewd dealers found themselves fined, exposed, and once more in possession of carloads of spurious sculpture. Sculptor Dossena remained within the law. He never sold his work direct to museum or collector, never, so far as investigators could discover, pretended that they were anything but his own work. Nor did he make money. Dealers paid...