Word: scripts
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Dates: during 1970-1970
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HOMER is a well-intentioned film about a young man's growing intolerance for his parents, his home town and his life in Middle America. Too often the script is predictable, the situations pure pasteboard. But Director John Trent has a subtle feeling for the nuances of small-town life, and scenes such as a going-away party for a Viet Nam-bound soldier are filled with a sense of quiet poetry that might have pleased Sherwood Anderson. In the cast are Tisa Farrow, Mia's preternaturally sensual younger sister, and (as Homer) a robust young actor named...
...original resolve when Hollywood first sought the movie rights to his Lolita in 1958. But one evening he dreamed that he was reading the screenplay; overnight, Nabokov came to the age of consent. An offer of $150,000 did not exactly dissuade him, and he agreed to do the script himself. James Mason was cast as obsessive old Humbert Humbert, with Sue Lyon, then 14, in the title role of the stepdaughter who seduced him. Everybody said the adaptation could not be done, and they were right. But the pallid, bowdlerized film did gross about 21 times...
...else?−a Broadway musical. While the author seemed calm at the prospect, readers who consider the novel a masterpiece could only be horrified at what Broadway might do to Lolita. At any rate, this time Nabokov decided not to be a party to the adaptation himself. He waived script approval, though he did retain veto power over the choice of the adapter and composer. As it happened, Librettist Alan Jay Lerner (My Fair Lady, Coco) was at that very moment inquiring about Lolita. Nabokov, who had never seen a Lerner musical, listened to some of the original-cast albums...
Paramount had paid 75 Gs for the script. Segal kicked back ten of them to the movie company. For promotion. Paramount kicked in ten more. It paid off. The scenarist scrambled 100,000 miles across country. Selling, pushing. Merchandising. He appeared on Cavett, Carson. "I'm kind of a folk hero at Yale," he liked to say. "The closest thing to a Beatle." Fraternities called him up en masse; Middle America wrote in; most important, publishing houses and film companies used Love Story as a new shibboleth. The escape hatch had been opened. Erich...
...ruthless moonshiner, is all sinister smiles and barely repressed violence. The music, sung by Johnny Cash, is slick and unemotional. The main flaw is that the love affair between Alma and the sheriff lacks the qualities of desperation and frustration that would make it convincing. Alvin Sargent's script does not help matters much with such ritual movie Southernisms as "Eat your beans, Grandpa" and "Would you like a Dr Pepper?" Peck succeeds in conveying the sheriff's vulnerability but never his passion...