Word: scripts
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Dates: during 1970-1970
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...rock trio called the Carrie Nations as they slither from one bed to another on the road to fame in Hollywood. The direction by Skin Flick Impresario Russ Meyer (TIME, June 13, 1969) is full of sexual innuendo of the kind that might impress a lickerish Boy Scout. The script, by Chicago Film Critic Roger Ebert, will surely tickle those who prefer their dialogue with comic-book balloons around it. The movie is just a lark-a big camp, don't you see-but many people may not see, and those who do will probably not care...
...lights go down, the audience at London's Cambridge Theater looks up expecting to see the familiar opening scene of Ibsen's Hedda Gabler -Hedda's new husband nattering away with his auntie. Instead, in a startling departure from the script, Maggie Smith as Hedda strides silently onto the empty stage. Clad severely in white, she is pale and tense, her features a mask of mortal exhaustion and despair that might have been painted by Edvard Munch. She smokes, paces, contemplates herself in a mirror, stares moodily, doubles over in a spasm of nausea...
...centrally placed conceit of Two Sisters is somewhat trickier. It is Eric's film script, The Two Sisters of Ephesus...
Eric's script is ostensibly about Helena and Artamisa, two gorgeous siblings who squirm their way to royal fame and power in the Persian-dominated Greek cities of the 4th century B.C. Murray Morris sees them mainly as Lana and Ava in a huge marble bathtub, but Eric shifts the film's focus to the sisters' half brother, Herostratus. Betrayed to the Persians as a Greek rebel by Helena, who is also his lover, Herostratus dashes both sisters' dreams of immortal fame by burning the spectacular Temple of Diana. In one rash act he has overshadowed...
Contemplating the script and his relationship to Eric and Erika gives Vidal yet another opportunity to do his Epicurus act: pleasure seen as the beginning and end of the good life, death seen as nothing more than the beginning of a blessed reduction into soulless, primordial atoms. He observes that power is customarily pursued for its own sake and dismisses idealism from political behavior. Wearily he views America as a violent, uncivilized land full of literal-minded people with no sense of paradox. Its writers are inferior to those of Europe, ditto its food, and its attitude toward taboos...