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Finally, 23 minutes after the shootings, the ambulances collected the stricken: the youngster Stroll; Paul Schrade, 43, the United Auto Workers' Pacific Coast regional director, whose profusely bleeding head rested on a white plastic Kennedy-campaign boater; Ira Goldstein, 19, a part-time employee of Continental News Service, hit in the left hip; William Weisel, 30, an American Broadcasting Co. associate director, wounded in the abdomen; Mrs. Elizabeth Evans, 43, who with her husband Arthur had been touring the several election-night headquarters and wound up with a slug in her forehead. Although Schrade was the one who appeared dead...

Author: /time Magazine | Title: Nation: A LIFE ON THE WAY TO DEATH | 6/14/1968 | See Source »

Graduating Cliffies, their boyfriends, and their mommies and daddies drank champagne from little plastic cups in Hilles Library yesterday (above), and that was how Radcliffe began its Commencement Week activities...

Author: NO WRITER ATTRIBUTED | Title: 'Cliffe Commencement Champagne | 6/11/1968 | See Source »

...January 1918, the Harvard Coop reported that the war had brought a loss of $56,427.90 for a six-month period over that of the previous year. Most of the loss came in the textbook and furniture departments. Coop membership, which did not yet include a plastic credit card, fell...

Author: By James R. Beniger, | Title: Many Problems Confronted The Class of '18 | 6/11/1968 | See Source »

...artists are not the only ones on display. Two abstract works by the Russian Serge Poliakoff, big blocks of carefully modelled color, can be seen on entering the exhibit, near a very subtle work in cement--"In the Shadow of a Field"--by ex-conservationist Raoul Ubac, while the plastic, organic cubism of an early Picabia is across the hall...

Author: By Betsy Nadas, | Title: Painting in France 1900-1967 | 6/10/1968 | See Source »

...Robert Whitman's black-draped funeral fun house, hung with violently vibrating Mylar mirrors. A screaming oscillator sadistically shivered the viewers' eardrums as it shattered their reflections on the mirrors. Equally diabolical was Boyd Mefferd's mini-discotheque, where strobe lights flashed up through colored plastic panels in the floor with such seeming moderation that many of the younger spectators felt an irresistible urge to sit or lie down in order to get closer to the beams...

Author: /time Magazine | Title: Exhibitions: Transistorized Tunnel of Light | 6/7/1968 | See Source »

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