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Molecular biology, in part, is rooted in the science of genetics. Ever since Cro-Magnon man, parents have probably wondered why their children resemble them. But not until an obscure Austrian monk named Gregor Mendel began planting peas in his monastery's garden in the mid-19th century were the universal laws of heredity worked out. By tallying up the variations in the offspring peas, Mendel determined that traits are passed from generation to generation with mathematical precision in small, separate packets, which became known as genes (from the Greek word for race...

Author: /time Magazine | Title: SCIENCE 1971: The Promise of New Genetics | 10/5/1983 | See Source »

...mid-19th century, the aphorism had become a favorite of the English. Oscar Wilde exposed the flip side of bromides: "Punctuality is the thief of time"; "Old enough to know worse." But he could be as pontifical as the next prince: "A thing is not necessarily true because a man dies for it"; "One's real life is often the life that one does not lead." George Bernard Shaw saw the aphorism as the new home for political slogans: "All great truths begin as blasphemies." His contemporary G.K. Chesterton was the last master of the paradox: "Silence...

Author: /time Magazine | Title: Essay: Proverbs or Aphorisms? | 7/11/1983 | See Source »

...face as a set. French Theater Director Patrice Chéreau's complete The Ring of the Nibelung (starting Jan. 17 on PBS with a documentary and continuing a week later with Das Rheingold) is a brash, iconoclastic view that sets the four-opera cycle in the mid-19th century, when Wagner wrote it. The videotaped Bayreuth Ring succeeds triumphantly, while Parsifal a spectacular failure...

Author: /time Magazine | Title: Music: Through the Looking Glass | 1/24/1983 | See Source »

...arrival of white-clad ballerinas during Macbeth's dream sequence comical. Some prominent critics were outraged: Donal Henahan, in the New York Times, said Macbeth "may just be the worst new production ... in modern [Met] history." Hall's attempt to place the opera in a mid-19th century theatrical context was daring, but sometimes miscalculated...

Author: /time Magazine | Title: Maestro of the Met: James Levine is the most powerful opera conductor in America | 1/17/1983 | See Source »

...says Hathaway. But nobody speaks more affectionately of Elden than Alice Johnson, the chair of the Don't Yank the Crank committee, who came to Bryant Pond twelve years ago as an art teacher in the elementary school. She married another outsider and settled down in a handsome mid-19th century home by the lake. A Cuisinart and a microwave oven share the house with her crank phone. She is not a purist...

Author: /time Magazine | Title: In Maine: Don't Yank the Crank | 8/30/1982 | See Source »

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