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Casanova's Big Night (Paramount). "I'll scream for help," the lady protests, and no wonder. The Technicolored thing that has just waddled into her boudoir looks something like Louis XIV converted into a floor lamp. It turns out to be Bob Hope, cast as a sort of...

Author: /time Magazine | Title: Cinema: Two Comedians | 4/26/1954 | See Source »

The first program (by 190 voices, an orchestra of 20) ranged from delicate, pure-sounding choruses, e.g., For God So Loved the World and Blessed Are the Faithful, to the haunting cantata, Saul, Saul, Why Persecutest Thou Me? Director Reese hardly expected to make Schütz fans of his...

Author: /time Magazine | Title: Music: Giant Remembered | 4/19/1954 | See Source »

In this new post, Bentinck-Smith meets not only the world's leading scholars, but its leading screwballs as well. "Strangely enough," an associate on the Bulletin says of him, "dealing with screwballs is the forte of this good, solid, man. He has enough humor to appreciate screwballism." So, the...

Author: By Arthur J. Langguth, | Title: On the Carpet | 4/13/1954 | See Source »

Like many jazz pianists, Pennsylvania-born Alex Kallao uses string bass and drums to give his performance more body and bounce. His arrangements (of such standards as Tea for Two and Bewitched) usually begin with gentle but full-bodied harmonizations of the tune. Then, grinning toward the crowd, he "takes...

Author: /time Magazine | Title: Music: Bach to Jazz | 3/29/1954 | See Source »

"I went among them in a double capacity, as both psychologist and priest [and in] a position of neutrality between company and union . . . Almost all of them relaxed and spoke freely once we were under way . . . For some of the workers it was perhaps the first time in their lives...

Author: /time Magazine | Title: HUMAN RELATIONS: The Worker Speaks | 2/1/1954 | See Source »

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