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Many of the top current groups were harmonizing in church or school gatherings when the original Mills Brothers, the Andrews Sisters and the Modernaires were first warbling their close harmonies on the radio. The outfits usually got their break with a performance on a disk-jockey show or an amateur...

Author: /time Magazine | Title: Music: Singers in Bunches | 12/13/1954 | See Source »

The heart of The Musical Offering, however, is still the essentially lyrical Trio Sonata. The Art of the Fugue confronts the listener with a from whose essence cannot be analyzed in terms of melody or of harmony. Ernest Levy, in his recent lectures at M.I.T., suggested that the fugue might...

Author: By Alexander Gelley, | Title: Bach Concerts in Sanders | 12/2/1954 | See Source »

At first, the record seemed to give off only a series of rumbles and gurgles. But soon the irregular surges and lulls began to sound like the surf, playing on pebbles, crashing on rocks, growing louder and louder until a big one landed with a thunderous roar, and the listener...

Author: /time Magazine | Title: Music: Sounds of Our Times | 11/15/1954 | See Source »

The result is as gratifying for the listener as it must be for the players. A new sensitivity to intonation is one of the most outstanding-and welcome-changes Mr. Poto has brought. And from the opening of Handel's Water Music suite, his insight into rhythmic details and emphasis...

Author: By Robert M. Simon, | Title: Havard-Radcliffe Orchestra | 11/15/1954 | See Source »

The composer, Frederico Valerio, has avoided the pitfall of patterning his score after successful musicals. There is nothing in On With the Show which sounds like Guys and Dolls, The Pajama Game, or Can-Can. A steady radio listener, however, might recognize the Ajax commercial or the overture to a...

Author: By Arthur J. Langguth, | Title: On With The Show | 11/13/1954 | See Source »

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