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¶ Leon Kirchner's Piano Concerto, the week's toughest nut, which the composer played with the Philharmonic Symphony, conducted by Dimitri Mitropoulos. It was romantic in its delicate, lyrical episodes, its sudden, violent climaxes, and the virtuosic intent of its solo part. It contained, as does all...

Author: /time Magazine | Title: Music: Moderns in Manhattan | 3/5/1956 | See Source »

Third composition on the program was Peter Mennin's Concerto for Violoncello and Orchestra, which made fewer demands on the listener, and showed less originality and toughness. It provided a neoromantic contrast to Sessions, and for long stretches sounded as if it might have been titled "Mr. Brahms Goes...

Author: /time Magazine | Title: Music: The Moderns on Parade | 2/20/1956 | See Source »

The music is Hindemith at his very best, reaching great emotional depth in the last act. The score does not compromise; it is a far cry from a Puccini or a Menotti opera. But the vocal lines float like ships on the great tidal wave of the orchestra, and, as...

Author: By Stephen Addiss, | Title: Two Modern Operas | 2/20/1956 | See Source »

There are now no less than 17 recorded versions of Mack the Knife spinning across the U.S., and most of the horror has gone out of it. U.S. Composer-Author Marc Blitzstein has effectively translated the Berlin slang into American, but as Satchmo growls the words, the listener is amused...

Author: /time Magazine | Title: Music: Odyssey of Mack the Knife | 2/13/1956 | See Source »

Strauss: Ariadne auf Naxos (Irmgard Seefried, Rita Streich, Elisabeth Schwarzkopf; Philharmonia Orchestra, conducted by Herbert von Karajan; Angel, 3 LPs). One of Strauss's important operas, handicapped by a confused libretto, but abetted by some soaringly lyrical music. Even when the score is less than inspired, the cast'...

Author: /time Magazine | Title: Music: New Records, Feb. 6, 1956 | 2/6/1956 | See Source »

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