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"Redundancy," as devised by Mathematician Claude E. Shannon and others, is an evaluation of the effectiveness of the varied forms of communication-e.g., telegraphy, speech, art, music, semaphore, television-in terms of the idea that a certain percentage of symbols in a message does not convey information but merely...

Author: /time Magazine | Title: Science: Say It Again | 1/16/1956 | See Source »

Faceless Roar. The composition started with chimes, but chimes whose tone got an added kickoff from a xylophone tick and was sustained by the high squeal of clarinets. For the next 21 minutes nothing else was so recognizable. Instrumental sounds tumbled about in wild confusion; there was never a concerted...

Author: /time Magazine | Title: Music: Composer Jean Sibelius, Nature Boy at 90 | 12/12/1955 | See Source »

To the Solar Plexus. Soprano Callas had just sung Leonora in Verdi's // Trovatore and once more affirmed her position as the world's most exciting opera singer. With the exception of one high note in her last big aria that degenerated into a sickly wobble, the whole...

Author: /time Magazine | Title: Music: The Most Exciting | 11/21/1955 | See Source »

Unlike tempestuous Arturo Toscanini, Walter does not frighten musicians into playing right; he coaxes them. When, with his mellow German accent, he says, "Come, let's have it again." he might be talking to forgetful children, and when he says, "Once more, letter D," he sounds like a host...

Author: /time Magazine | Title: Music: New Records, Oct. 24, 1955 | 10/24/1955 | See Source »

An interested listener, following Conductor Walter's comments with the enclosed score, may discover a world of insight about music from this performance, although the Columbia Symphony Orchestra could use even more of Walter's help than it gets.

Author: /time Magazine | Title: Music: New Records, Oct. 24, 1955 | 10/24/1955 | See Source »

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