Word: julia
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...core of Violence and the Brain consisted of the case histories of four patients who received psychosurgery. The core of the opposition lies in the long-term follow-ups of two patients-Thomas R. and Julia S. The doctors themselves now admit that there have been no long-term positive results of their operations in the patients...
...foie gras, truffles, Mediterranean bass and goat cheese. Among the guests: Playwright Lillian Hellman, Couturiere Pauline Trigere, Journalist Sally Quinn, Author Marya Mannes, New York Times Op-Ed Page Editor Charlotte Curtis, Sculptor Louise Nevelson, Former New York City Consumer Affairs Commissioner Bess Myerson, and Boston-based Gastronome Julia Child. Sipping her Veuve Clicquot '66 at the end of the ten course, eight wine dinner, Julia gave her verdict: "The whole thing was a great deal of fun." Chef Bocuse smilingly surveyed his table of ladies and gallantly toasted them: "I adore women!" he cried, adding diplomatically, "They...
...English Department appoints Julia Child its guest lecturer for the fall to teach a course on St. Augustine's Confections, Virginia Woolf's Legume of One's Own, and The Bread Also Rises by Ernest Hemingway...
Holiday's 30-year-old hero, Johnny Case (John Glover), has made a killing in the stock market and wants to take off for the south of France or the South Seas. He yearns to sit under a tree and find himself. His starchy fiancée, Julia Seton (Robin Pearson Rose), and her even starchier father want Johnny to stay in the marts of finance and be a golden grind. But Johnny's dream of freedom excites Julia's older sister Linda (Charlotte Moore), herself a stifled and smoldering maverick. At play...
...Museum of Modern Art assembled and commented on by the director of the museum's photography department. There is, naturally, a wide choice of subject. The pictures were taken over a period extending roughly from 1850 to the present; the photographers include the likes of Pioneer Julia Margaret Cameron, Dorothea Lange, Cartier-Bresson, Brassa'i, Robert Doisneau, Ansel Adams, Richard Avedon. Szarkowski's pic-ture-by-picture text ranges from brilliant and supple observations to what can fairly be described as academic twaddle. People who take photography seriously will want the book because, even at his worst...