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Word: elizabethan (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

ROSENCRANTZ AND GUILDENSTERN ARE DEAD, winner of the Tony Award for Best Play, takes a chip off the old Bard to construct a neo-Elizabethan existentialist drama. Brian Murray and John Wood are extremely adept as Tom Stoppard's nether heroes of flashing wit but blinking comprehension...

Author: /time Magazine | Title: Television: May 17, 1968 | 5/17/1968 | See Source »

ROSENCRANTZ AND GUILDENSTERN ARE DEAD, winner of the Tony Award for Best Play, takes a chip off the old Bard to construct a neo-Elizabethan existentialist drama. Brian Murray and John Wood are adept as Tom Stoppard's netherheroes of flashing wit but blinking comprehension...

Author: /time Magazine | Title: Television: May 10, 1968 | 5/10/1968 | See Source »

...this sense, Falstaff is everybody's Shakespeare, at once immediately contemporary and intensely Elizabethan. The director's uncanny ability to have it both ways is his audience's gain: Falstaff is both the first successful attempt I know to draw the Falstaff-Hal-Henry IV paternity triangle in terms of psychological realities, and incidentally the first realization I have seen in any medium which plays Elizabethan phallic bawdry for solid laughs, not embarrassed giggles or nods of appreciative recognition. It is, in this respect, an anthology of pleasures, a cinematic Christmas morning...

Author: By Peter Jaszi, | Title: Falstaff | 4/30/1968 | See Source »

YOUR OWN THING is a rock musical that uses an Elizabethan vehicle, Twelfth Night, to celebrate the modern spirit...

Author: /time Magazine | Title: Television: Apr. 19, 1968 | 4/19/1968 | See Source »

...Sanders Theater Friday evening, the massed forces of the Harvard Glee Club and the Radcliffe Choral Society, under the direction of Elliot Forbes, unleashed a mighty force de frappe in a program calculated to drive the audience into an unholy frenzy. The first half featured delicate works by Elizabethans William Byrd and Thomas Tallis and neo-Elizabethan Benjamin Britten. But after intermission the choir was joined by the Harvard-Radcliffe Orchestra in a performance of Carl Orff's Carmina Burana, a bacchanale celebrating the headiest side of springtime...

Author: By Lloyd E. Levy, | Title: Harvard Glee Club | 3/25/1968 | See Source »

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