Word: elizabethan
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Dates: during 1960-1969
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ROSENCRANTZ AND GUILDENSTERN ARE DEAD, winner of the Tony Award for Best Play, takes a chip off the old Bard to construct a neo-Elizabethan existentialist drama. Brian Murray and John Wood are extremely adept as Tom Stoppard's nether heroes of flashing wit but blinking comprehension...
ROSENCRANTZ AND GUILDENSTERN ARE DEAD, winner of the Tony Award for Best Play, takes a chip off the old Bard to construct a neo-Elizabethan existentialist drama. Brian Murray and John Wood are adept as Tom Stoppard's netherheroes of flashing wit but blinking comprehension...
...this sense, Falstaff is everybody's Shakespeare, at once immediately contemporary and intensely Elizabethan. The director's uncanny ability to have it both ways is his audience's gain: Falstaff is both the first successful attempt I know to draw the Falstaff-Hal-Henry IV paternity triangle in terms of psychological realities, and incidentally the first realization I have seen in any medium which plays Elizabethan phallic bawdry for solid laughs, not embarrassed giggles or nods of appreciative recognition. It is, in this respect, an anthology of pleasures, a cinematic Christmas morning...
YOUR OWN THING is a rock musical that uses an Elizabethan vehicle, Twelfth Night, to celebrate the modern spirit...
...Sanders Theater Friday evening, the massed forces of the Harvard Glee Club and the Radcliffe Choral Society, under the direction of Elliot Forbes, unleashed a mighty force de frappe in a program calculated to drive the audience into an unholy frenzy. The first half featured delicate works by Elizabethans William Byrd and Thomas Tallis and neo-Elizabethan Benjamin Britten. But after intermission the choir was joined by the Harvard-Radcliffe Orchestra in a performance of Carl Orff's Carmina Burana, a bacchanale celebrating the headiest side of springtime...