Word: elizabethan
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Dates: during 1950-1959
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...forum, described by one panel member as a "mutual groping," revealed no definite policy decisions on the administration of the Loeb Center. Hugh A. Stubbins, Jr., architect of the theatre, reviewed briefly the features of the building, explaining its adaptability to proscenium, Elizabethan, and full-round productions...
...festive work of acknowledged merit. It settled on Twelfth Night and engaged the imaginative Herbert Berghof as director. Berghof, in keeping with the festive occasion, decided to turn the play into a "music and dance extravaganza." He employed as much music as possible, composed or arranged in neo-Elizabethan style by Andre Singer. He interpreted Malvolio's phrase, "the fool's zanies," as "the Fool's zanies," and created two new characters--a singing zany and a dancing zany--to accompany Feste the Fool. He also did some textual pruning and excised completely the taunting of Malvolio in prison, thereby...
...dark plots, and love destroyed by desperate ambition. The night was filled with Quintero's sound effects-the frantic music of bagpipes, thunder, the clangor of horses' hoofs, bells, and. in the sudden striking silences, the rasp of crickets. Armies fought across the front of the vast Elizabethan stage with such intensity that those in front-row seats pulled back in alarm. Offstage entrances brought the action into the far reaches of the theater; Macbeth strode out to meet the three weird, raffia-haired witches from the very back edge of the theater; Birnam Wood came to Dunsinane...
...limited. ("I was slated for a part as one of the strippers in Gypsy, but Ethel Merman nixed me.") It is a sad thing, says Jones, that "today, female impersonation is a dying art. It goes back to 300 B.C. The Roman, Greek and Japanese theaters relied on it; Elizabethan plays were done...
Viola is the one honest, sincere, and normal person in the play. Yet for most of the time she must go about abnormally disguised as a young boy, who looks like her twin brother Sebastian. The problem was quite different in Elizabethan times, since actresses were interdicted and both roles were taken by young boys. Miss McKenna is able to convey a zestful boyishness without ever losing her innate womanliness. And more than any one else in the cast, she pays attention to the poetic qualities of the text (though on opening night she sometimes lowered her voice...