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Word: elizabethan (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Folk Songs (Kathleen Ferrier, contralto; Phyllis Spurr, piano; London FFRR, 6 sides). Includes the Northumbrian classics, Blow the Wind Southerly, The Keel Row, the Elizabethan Have You Seen but a White Lily Grow? and Willow, Willow, all sung with incomparable beauty and style. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Aug. 29, 1949 | 8/29/1949 | See Source »

Aubrey had a foot in both worlds. He had an Elizabethan faith in "Marvels, Magick . . . Apparitions . . . Second Sighted Men," along with an undeveloped penchant for scientific research. As a child he saw the old-fashioned shepherd leading his flock with a flute; in his old age he dreamed of emigrating to the "delicious Countrey" of New York, where the people "have such vast Snowes that they are forced to digg their wayes out of their houses, else they would be stifled...

Author: /time Magazine | Title: Books: Two-Worlder | 5/9/1949 | See Source »

...raven locks floating down to shoulders of her Elizabethan-style dress, she swept on stage in Times Hall to give her audience her annual program of medieval and Renaissance music...

Author: /time Magazine | Title: Music: Whirlwind at the Lute | 4/18/1949 | See Source »

Correction for a Critic. Lute in lap, she began with Elizabethan airs like Lord Willoughbie's Welcome Home and Can She Excuse, sending the notes out soft and sweet. Then she tripped across stage to a tiny 16th Century virginal, and tinkled out two more. Before the program was over, one-woman-show Suzanne had also performed on three types of recorders, conducted a group of psalter singers and an ensemble, danced a bit and sung two of her own compositions. Wrote the New York Times's Ross Parmenter: "About the only thing...

Author: /time Magazine | Title: Music: Whirlwind at the Lute | 4/18/1949 | See Source »

...Folger's boiler room as overflow dressing quarters, were The Masquers of Amherst College, alma mater of the library's late founder, Oil Millionaire Henry Clay Folger. As a London director of 1600 would have it, they performed without sets, in frilly Elizabethan costumes instead of Roman togas. One non-authentic touch: girls were cast in the two feminine roles. The program explained: "We have somehow lost the knack of training juveniles to play female parts...

Author: /time Magazine | Title: The Theater: Revival in Washington | 4/11/1949 | See Source »

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