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Word: elizabethan (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Across North America, the festival season is in full voice, with accents ranging from Elizabethan to modern...

Author: /time Magazine | Title: Television: Jul. 12, 1968 | 7/12/1968 | See Source »

STRATFORD FESTIVAL, Stratford, Ont. Romance runs rampant with Romeo and Juliet and A Midsummer Night's Dream, while Tartuffe adds Gallic spice to the Elizabethan fare. On July 22, The Three Musketeers swashbuckle their way on stage, and on July 23, some Chekhovian melancholy is introduced in The Seagull. Samuel Beckett's Waiting for Godot provides a 20th century touch beginning Aug. 13. The season ends...

Author: /time Magazine | Title: Television: Jul. 12, 1968 | 7/12/1968 | See Source »

ROSENCRANTZ AND GUILDENSTERN ARE DEAD. Beckoned to Elsinore they know not why, Tom Stoppard's neo-Elizabethan protagonists wander through historical events looking for significance and through their lives in search of identity. John Wood, Brian Murray and Paul Hecht share with the audience each nuance of meaning, each streak of mordant...

Author: /time Magazine | Title: Television: Jun. 21, 1968 | 6/21/1968 | See Source »

...season merited an award. While it may pique national vanity, an esthetic dry spell is no novelty in the long history of drama. The sands of mediocrity have sometimes silted over the theater for 2,000 years-for example, between the titans of Greek tragedy and the genius of Elizabethan England. The lackluster quality of contemporary U.S. playwriting and the dearth of substantial new talent are simply a gap rather than an omen. The conventional and obvious scapegoat is Broadway, but this is pure fallacy: Broadway, with all its faults, has presented, honored and sustained every major U.S. playwright...

Author: /time Magazine | Title: Theater: Dramatic Drought | 5/17/1968 | See Source »

...sweep and scope makes large statements about the nature of life and refracts the temper of the times. All the great ages of theater have possessed a vaulting image of man, and an absorptive, undeviating concern with his destiny. "In apprehension, how like a god" is not casual Elizabethan rhetoric, but the supremely assured recognition that man is the noblest, grandest creature that walks the earth. And what does contemporary U.S. society say of the stature of man-how like a naked ape, how like an irrational id, how like a punch card in a computer? In the vertiginous distance...

Author: /time Magazine | Title: Theater: Dramatic Drought | 5/17/1968 | See Source »

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