Word: cavaradossi
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DIED. FRANCO CORELLI, 82, powerhouse Italian tenor; in Milan. Largely self-taught, he was faulted by critics for the raw passion in his singing but adored by rank-and-file opera buffs, who gave him bravos for such roles as Manrico in Il Trovatore and Cavaradossi in Tosca. His competitiveness sometimes took a strange form; during Puccini's Turandot at New York City's Metropolitan Opera in 1961, he bit a soprano on the neck because she held a high note longer than...
...that Daniels, 33, is likely to be cast as Cavaradossi anytime soon. Countertenors are male altos who sing in a highly developed falsetto, though few are fond of the word, which implies that there's something "false" about a vocal technique used by everyone from baroque-music specialists to Smokey Robinson. "The way I sing is no different from the way the Motown people sing," Daniels points out with a grin...
...heroine's stupendous singing of the work's signature aria Vissi d'arte) all figure heavily in a send-up that shatters every cliche in the trunk. Opera buffs can delight in spotting references to great, legitimate performances--from Tosca's tigerish poses a la Maria Callas to Cavaradossi's Castilian lisp, a dig at Spanish tenor Jose Carreras...
...heroine's stupendous singing of the work's signature aria Vissi d'arte) all figure heavily in a send-up that shatters every cliche in the trunk. Opera buffs can delight in spotting references to great, legitimate performances -- from Tosca's tigerish poses a la Maria Callas to Cavaradossi's Castilian lisp, a dig at Spanish tenor Jose Carreras...
...just won acclaim for his first Otello, and most musical experts think he was right to wait until age 55 to try the heroic role. The list of parts that tenor Alfredo Kraus, 63, will not touch reads almost like a chart of opera's greatest hits, including Cavaradossi in Tosca and Rodolfo in La Boheme. Kraus sticks strictly to lighter parts that do not strain his pure, lyric voice...