Word: cavaradossi
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Enrico Caruso remained a highly informal character. Once when Lillian Nordica was about to lift her voice in a love duet with him, he deposited a hot potato in her hand. In Tosca, when Antonio Scotti stooped to pick up the paint brush beneath Cavaradossi's easel, he had to yank at it for minutes-Caruso had nailed it to the floor. Caruso's most celebrated peccadillo led to his arrest on the complaint of a Mrs. Hannah Graham who had run into him at the Central Park Zoo and testified breathlessly: "He insulted me. He brushed against...
Last week it was Lotte Lehmann's turn to exhibit a Tosca who was a simple, genuine woman, expertly tender in her scenes with Cavaradossi, wildly furious when she murdered Scarpia, crouched gloatingly over his body. The Scarpia was Baritone Lawrence Tibbett and it was his big chance to add another telling impersonation to his Simone Boccanegra and his Emperor Jones. But Tibbett was no great villain. He made himself a bigger nose but his make-up in general was unworthy of an actor with cinema training. His big voice boomed and he used brute force in his tussle...
There would also have been a new Cavaradossi, victim of Scarpia's evil plotting, if, as the curtain went up, Tenor Richard Crooks had not been under ether for a serious appendectomy and Oldster Giovanni Martinelli had not rushed on to take his place. A new Tosca at the Metropolitan is bound to be compared with other singers who have made the role seem great. There were people in last week's audience who remembered Milka Ternina, dramatically exciting but plain to look at. Emma Eames had beauty but her emotions were chilled. In pre-War days Olive...
...Cavalleria Rusticana) or unfaithful ones (Nedda in Pagliacci, Fiora in L'Amore dei Tre Re, Mélisande in Pelléas et Mélisande, Isolde in Tristan und Isolde). In To sea the plot hinges on whether Tosca will give herself to Scarpia to save Cavaradossi. Double beds are the most important properties in Der Rosenkavalier. Don Giovanni is a series of rakings. Yet an opera company which eliminated these and similar operas would find itself with a sorely limited repertoire...
Tosca will open the Metropolitan's season in Philadelphia Nov. 2, with Maria Jeritza, a blonde, exuberant Tosca, to race the gauntlet of operatic emotions. Jealous first, then playful, loving completely Mario Cavaradossi, she brings him thus unwillingly into a political trap laid by Chief of Police Antonio Scotti, sleekest of nil Searpias, who wants the lady for himself. The second act will come with his melodramatic crescendoes. Tosca will surrender and Scarpia will supposedly draw up his pardon while Tosca's hand, fumbling, despairing, will find the carving knife on a supper table. She will stab him, steal away...