Word: cavaradossi
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...canto roles like Nemorino in L'Elisir d'Amore. With age, however, a tenor's voice takes on a heavier tone and darker coloration. By the time he is in his 40s, a tenore lirico is usually ready for roles in the intermediate spin to (pushed) range, like Cavaradossi in Tosca, and maybe even in the forceful, baritonal tenore drammatico category, like the title role of Otello. But he must use extreme care, lest he damage the muscles of ins vocal mechanism. Many a promising Rodolfo who was too eager to tackle roles beyond his vocal weight is today running...
...afternoon, Pavarotti attacks his easel. Three years ago, a fan in Chicago gave him a set of oil paints after seeing him portray the artist Mario Cavaradossi in Tosca. He taught himself to paint large, naif landscapes in blazing colors, most of them based on postcard photos of places he has never seen...
...Carreras, Baritone Ingvar Wixell, orchestra and chorus of the Royal Opera House, Covent Garden, Colin Davis conductor, Philips; 2 LPs). This interpretation of Tosca is nothing if not eccentric. Davis' reading of the florid score is rich and clear but systematically undramatic. As the idealistic painter Cavaradossi, Carreras gives a properly ardent performance, but it seems lost on this particular Tosca. The elegant Caballé can no more be made into the hot-blooded actress than the eyes of Cavaradossi's Mary Magdalen can be changed from blue to black...
Puccini: Tosca (RCA Victor). With Leontyne Price, Giuseppe di Stefano and Giuseppe Taddei, Conductor Herbert von Karajan has the finest Tosca cast that can be assembled today. Price surpasses Callas as the reigning Tosca, and Di Stefano and Taddei match their best past performances as Cavaradossi and Scarpia...
Last Monday's opening of Tosca fitted all too well into this pattern of steady, but Grade B, musical performances. Yet, it was not a bad job nor a purely indifferent offering. The main problem was one of casting. Tosca and Cavaradossi must be sophisticates; they are people of passionate conviction, important in the world of fashion and art. As portrayed by Lois Marshall and Thomas Hayward, the lovers seemed like the uncertain adolescents of Blue Denim. They sang well, though the round, supple tone of Miss Marshall is well known and pleasing, as is the light, lyric vocalism...