Word: tenderloin
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Dates: during 1920-1929
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Editor Pew had a report to make on Canton: "I can tell you tonight, because I have seen it with my own eyes within a fortnight, that Canton is still, this minute, cursed by a tenderloin - a loathsome well-identified district of vice and crime where the scarlet woman plies her trade, where the illicit traffic continues and where dope may or may not be sold. I am told that the Federal authorities (not local police) have latterly fairly well stopped the narcotic traffic. The mayor of Canton is C. C. Curtis, elected by the people since the death...
...through the entire film. Many critics believe that comedies and news features are the only entertaining vehicles for the talkies. In full-length drama-films, Movietone uses synchronized orchestra accompaniment, occasional songs, but no spoken dialog. Vitaphone has put dialog into its The Lion and the Mouse, Glorious Betsy, Tenderloin. These films run along quietly and then, at dramatic moments, burst into dialog. The effect is startling, but often annoying. Vitaphone plans the following new talking and singing films: Al Jolson in The Singing Fool, Fannie Brice in My Man, Dolores Costello in Noah...
...that stood in her elaborate cubicle above Gus Jordan's saloon and brothel. None the less, she was hardboiled; when a Salvation Army captain came to save her soul, she planned to seduce him and when a lady threatened a double cross, Diamond Lil stabbed her in the tenderloin district. Despite her efforts, Gus Jordan, the bowery boss, is caught eventually, for white slave trafficking. The Salvation Army captain, really a member of the police force, is his captor; Diamond Lil cuddles into his arms at the end saying, "Boy, I knew you could...
...Tenderloin. Sputtering, squealing, the first night audience squeaked in their seats. They were looking, listening, to Warner's new talking cinema...
Underworld. In the smelly, slinky alleyways of the Chicago tenderloin, the all-round criminal championship is held by "Bull" Weed (George Bancroft), hulking thug, notable for his wide-open laugh & easy-going gun. Only Buck Mulligan (Fred Kohler), who operates a florist's shop in the daytime, challenges Bull's underworld regency. So Bull "bumps him off," precipitating a police investigation and machine-gun play. These scenes roll off the film with a lusty realism that makes it all the more regrettable that the producers should have seen fit to resort to the invariable Hollywood alchemy of turning...