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Just as he uses easily-recognizable forms, Paterson also takes on a familiar, didactic voice. The poem “Correctives” depicts the narrator??s son who uses his right hand to support his left in an effort to write more neatly. As he describes this boy, Paterson derives a broader conclusion about humanity from the image: “the whole man must be his own brother / for no man is himself alone.” It would be easy to imagine this brief poem as a sort of family maxim delivered from generation...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Paterson’s ‘Rain’ Pours Poems | 4/20/2010 | See Source »

...result of this search is his new collection, “Mean Free Path.” The book is comprised of intimate verse narratives, addressed to a certain “Ari,” who seems to be the narrator??s confidant, or perhaps a lover. The narrator touches on thoughts about everyday life and discusses beauty, love and literature as if he were lying in bed beside Ari, chatting before sleep, almost whispering...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Lerner Attempts to Reinvent Form in ‘Mean Free Path’ | 3/9/2010 | See Source »

...family and does not even mention grieving for his father. During the dinner scene, Roth juxtaposes paragraphs in which the Swede relates inane family anecdotes against extended interior monologues tracking Zuckerman’s overwrought reactions to the disappointing way the meal develops. The chapter concludes with the narrator??s self-questioning rant, “Why the appetite to know this guy?... You’re craving depths that don’t exist. This guy is the embodiment of nothing...

Author: By Theodore J. Gioia, CONTRIBUTING WRITER | Title: Studying 'American Pastoral' to Understand 'The Road' | 2/23/2010 | See Source »

...bulk of the narrative follows the protagonist and his longings, desires, and solipsistic rants as he yearns after Clara and analyses her every gesture. Though laden with the narrator??s passionate obsession for Clara, “Eight White Nights” chronicles an essentially chaste love. Aciman denies the reader the full range of the sensuous prose that he unquestionably mastered in his first novel, “Call Me By Your Name,” and consequently creates a more emotionally tentative work...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Aciman Falters in 'Nights' | 2/17/2010 | See Source »

Moya makes a subtle gesture when he succeeds the narrator??s first-hand account with a more distanced, third-person exposé of the media and police’s scramble to curb the “snake invasion.” As Sosa relays the details of his crimes, his calm demeanor permeates his victims’ screams; “The din outside was tremendous. The ladies were in a kind of orgy, biting everything in sight... In just a few seconds the street had been destroyed. There were dozens of bodies lying twisted...

Author: By Denise J. Xu, CRIMSON STAFF WRITER | Title: Moya Struggles to Charm in 'Snakes' | 2/9/2010 | See Source »

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