Word: narratorã
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...nearly 900 pages, “2666” perfects the digressional style that Bolaño honed throughout his entire fiction career. Characters forget themselves in the middle of monologues that span pages; metaphors mutate from the fantastical to the grotesque; the narrator??s personality (in Bolaño’s notes, he says Arturo Belano is the narrator) and the seemingly irrelevant details that embellish individual plotlines emerge from nowhere and are cast off almost as quickly; “He said his name was Harry Magaña, or at least that?...
...almost plump, and yet willowy” and sways her backside as she washes the dishes, while Geraldina sunbathes naked, “stretched out with no concern other than the color of her skin.” By taking every opportunity to remind us of his narrator??s transgressive fixations, Rosero interrogates the limits of our sympathy as readers. Is our identification with the suffering of others unconditional or, in fact, contingent upon the goodness of the sufferer? “The Armies” has no clear answer, but it hints at a radical skepticism that...
...narrative monologue of a Sri Lankan sailor, Loxodrome, “whose commission is to de-poison sea snakes / to somehow bottle their arteries in clouds... [his] command / to capture them as beasts / whose colour is aurulent and xanthic.” Throughout, the atmosphere is ethereal; yet the narrator??s fantastical adventures and dream-like reflections are more artificial than inspired, more plodding than lyrical...
...book is structured around the encounters between an elusive narrator and Austerlitz, to whom Austerlitz tells his story in instalments, “speaking not so much to me as to himself,” says the narrator. So marginal is the narrator??s presence in the text that his voice is absorbed by his interlocutor’s story, which is reported without quotation marks, so that the two figures become virtually indistinguishable over the course of the narrative. Their chance meetings—in a Belgian cafe, on a ferry crossing the English Channel...
...predecessors “American Tabloid” and “The Cold Six Thousand,” set throughout the early and mid-60s, are retellings of such events as the assassinations of President Kennedy and Martin Luther King Jr., with rotating chapters containing each of three narrator??s points of view. Ellroy continued this three-narrator formula in this latest novel, following the ex-cop and mob affiliate Wayne Tedrow Jr., FBI Special Agent Dwight Holly, and burgeoning private investigator Don Crutchfield through their increasingly intersecting journeys in the political and social climate...