Word: solipsistic
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...past the obscenities, and the criticism amounts to this: lead singer Chris Martin is a cornball solipsist, the melodies all have the same mass-produced "character" as a Pottery Barn table, and Coldplay's albums sound like crib-safe versions of Radiohead--a band that, while commercially less successful, is infinitely more hip and worthy of adulation. Film critics have waged their own version of this argument with moviegoers about the relative merits of Steven Spielberg and Martin Scorsese, resulting, as you've no doubt heard, in the complete commercial failure of all Spielberg movies. But if scathing reviews haven...
Despite the plot's implausibilities, Süskind's fable proves effective in several ways. Born half a century before the French Revolution, Grenouille is a foretaste of modern man as monstrous solipsist or, as a contemporary describes him, an "entirely new specimen of the race." The novel's emphasis on the sense of smell is disquieting, given the deodorizing proclivities of modern life: "The persuasive power of an odor cannot be fended off, it enters into us like breath into our lungs, it fills us up, imbues us totally. There is no remedy for it." And those readers who feel...
...every picture: Leslie Caron in "An American in Paris," Reynolds in "Singin? in the Rain" (both were 19 when the films were shot), Charisse in "Brigadoon." As Schickel notes: "There is no Ginger Rogers linked immortally to Kelly?s name, and that?s no accident. For he was a solipsist who did not share the screen easily with anyone. Suspiciously good at playing hammy, self-serving show folks ... he occasionally made you wonder: Is he exercising egocentricity or satirizing...
...with shaping their existence. But what if that's a fiction? Who's directing our lives? And how do we negotiate with God or fate or the great TV auteur in the sky? Finally, the film speaks to man's isolation from the world around him. The solipsist believes that he is the only reality; everything else is just...
There is no Ginger Rogers linked immortally to Kelly's name, and that's no accident. For he was a solipsist who did not share the screen easily with anyone. Suspiciously good at playing hammy, self-serving show folks--see his hoofing heel in For Me and My Gal, his grandiloquent strolling player in The Pirate, and remember that the guy with the umbrella was a movie star not entirely displeased with the figure he was cutting--he occasionally made you wonder: Is he exercising egocentricity or satirizing...