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...line of elegantly customized Lincolns, originally conceived by Edsel Ford. It will be produced only in a two-door model, which will weigh in at $8,000. The pitch is clearly for buyers who until now have fallen for luxury hot-rods like Cadillac's front-wheel-drive Eldorado. To win them to Continental-or at least lure them into a Lincoln-Mercury showroom-Ford's engineers and stylists have aimed at "elegant perfection." Says Marketing and Product Planning Manager Ralph L. Peters: "We're going all the way with this...

Author: /time Magazine | Title: Autos: Stalking the Mark III | 2/9/1968 | See Source »

...Mark III's most obvious feature is a vertical hashmark grille in shimmering metal that closely resembles the grille of a Rolls-Royce. On its 117-in. wheel base, the car mounts an eight-cylinder, 460-cu.-in. engine specially designed to provide improved combustion and cut exhaust fumes. Other features, including interior warning lights, air conditioners and radios, have been adapted from either the smaller Thunderbird or the bigger Lincoln...

Author: /time Magazine | Title: Autos: Stalking the Mark III | 2/9/1968 | See Source »

...number of fingerprints other than Judy's were found in the car, but none of them was Gary's. A spot of blood on the steering wheel was never analyzed to discover whether it matched Gary's type or Judy's. It was pointed out in court that he did have scratches and bruises on his body that might have been inflicted in a struggle, but the county medical examiner said that he had been ordered not to determine their age. It seemed to him, however, that one scratch at least was more than...

Author: /time Magazine | Title: Criminal Justice: Two Boys & the Death Penalty | 2/2/1968 | See Source »

...myths and their significance to film makers: "Film is like the snake, the worm Ourobouros, and like all continuous forms can be symbolic of evil." Montages of images cascade across the screen for 21 minutes while Narrator Parker reads the directions from the script ("Medium Shot: Wife on Ferris wheel, seat-five. Close up wife's frightened face . . .") in order to remind viewers that they are watching a film. The chaos is astonishingly well photographed and edited-and, far more than most of the other entries, displays a debt to the non-styles and nongoals of the cinematic Underground...

Author: /time Magazine | Title: Trends: The Student Movie Makers | 2/2/1968 | See Source »

...inventive writers on Sid Caesar's old Show of Shows. Brooks turned performer himself in 1960, when he and Carl Reiner created a free-form vaude ville routine about the 2,000-Year-Old Man. This character was a geriatric loser with a Yiddish accent who invented the wheel but made it square; someone else cropped off the corners and copped the fortune. Later he met Shakespeare ("What a pussycat he was; what a cute beard"). Typically, The Man invested in Coriolanus instead of Lear...

Author: /time Magazine | Title: Cinema: The Producers | 1/26/1968 | See Source »

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