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...called Killing Mrs. Tingle. The script got optioned, and the failing Los Angeles actor spent his windfall to repay college loans and lease an Infiniti. But Tingle languished, and by 1995 Williamson was facing the cruel truth: he was not a rising star but a 30-year-old dog walker and word-processing temp, with escalating debt and an old teacher who might have been right...

Author: /time Magazine | Title: THE BARD OF GEN-Y | 12/15/1997 | See Source »

This year's performance runs through December 14 at Boston's Shubert Theatre, and will feature Dominique Labelle, David Walker, Ray Bauwens and Eric Owens, though the December 6 performance was held in Symphony Hall and featured counter-tenor Steven Rickards insteaof David Walker. Associate Conductor John Finney leads H&H's marvelous chorus and period orchestra. Despite the press of weekend afternoons during the holiday season, Sunday's matinee performance was packed, with not an empty seat visible. The audience was richly rewarded for their time and responded with a thunderous, almost raucous standing ovation after the final "Amen...

Author: By Adriane N. Giebel, CONTRIBUTING WRITER | Title: H&H Scores Resounding Triumph in 'Messiah' | 12/12/1997 | See Source »

...Robert Walker, former chair of the House Science Committee and president of the Wexler Group--a Washington based lobbyist firm--said that fuel cells have a bright future, but are marred by high costs today...

Author: By Nicholas A. Nash, CONTRIBUTING WRITER | Title: Fuel Cells: Unleashing the Power of Hydrogen | 12/9/1997 | See Source »

...Walker agreed, saying that a generation of cars with a fuel tank in the past and an engine in the future would encourage the acceptance of futuristic renewable fuels...

Author: By Nicholas A. Nash, CONTRIBUTING WRITER | Title: Fuel Cells: Unleashing the Power of Hydrogen | 12/9/1997 | See Source »

...Bacchae" from the A.R.T.'s version is its emphasis on underlying themes. Because the events are outlined with more clarity, more room is left to ponder the deeper meanings of this mysterious play. The issue of sexuality and gender reversal also arise, although in a different way than Catherine Walker's production intended. Here, Dionysos is a man, which is quite appropriate in the patriarchal society of Greece (and today). He has the ultimate power literally and figuratively; and although they lust after him, the Maenads also sometimes engage in lesbian-ish petting of each other. In addition, a great...

Author: By Sarah A. Rodriguez, CRIMSON STAFF WRITER | Title: Mighty Morphin Power Maenads: | 12/5/1997 | See Source »

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