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...Harvard campus is divided into several sections for voting. Students living in the Yard and all River Houses except Mather and Dunster vote at the Broadway St. Fire Station; Mather and Dunster residents vote at the Corporal Burns Playground on Banks St.; those living on Walker St. with street numbers under 90, or on the even numbered side of Shepard St., vote at the Harvard Epworth Church; and those on Walker St. with street number over 90 or on the odd numbered side of Shepard St. vote at the Peabody School on Linnaean...

Author: NO WRITER ATTRIBUTED | Title: Where to Vote | 11/8/1997 | See Source »

Director Kathryn Walker's choice of cuts in the C.K. Williams translation make this production an affair of many monologues. Tim Foley and Scott M. Brown, as the first and second messengers, deliver their hefty chunks of script with appeal. Foley's description of the first sortie on Mt. Cithaeron is proof of a working knowledge of the rhetorical value of adynata (women suckling wolves, milk spurting from the ground, and other such impossibilities...

Author: By Matthew A. Carter, CRIMSON STAFF WRITER | Title: a bloody bacchae | 11/7/1997 | See Source »

Harper computerizes Walker's voice as she reads the choral odes, and the effect (an intense metallic breathiness) is reinforced by a tandem live recitation from two hypostylized eastern figures (Alice B., who gets to sport that big trippy mask, and Daniel Sussner '00, whose turn here doesn't compare to his work in Baal last year). The three-part slam definitely commands attention (and the poetry is gorgeous), but too often has to compete with the dancing Maenads for our attention...

Author: By Matthew A. Carter, CRIMSON STAFF WRITER | Title: a bloody bacchae | 11/7/1997 | See Source »

This video, like so many of the pieces in their retrospective, proves that Fischli and Weiss are serious artists who don't take themselves too seriously--a refreshing attitude for anyone familiar with the 80s art scene. Organized by the Walker Art Center in Minneapolis, this immensely entertaining exhibition includes video, sculpture, and photography, beginning with the Swiss artists' earliest collaborative photographs, the 1979 "Sausage Series...

Author: By Scott Rothkopf, CRIMSON STAFF WRITER | Title: Swiss Artists Fischli and Weiss Juggle Sarcasm, Sincerity at the ICA | 11/7/1997 | See Source »

...create a feeling of undistracted serenity. They recall the enfilade effects of older museums, but Meier has cunningly provided the links between them with unexpected openings, panoramic glimpses of the radiant townscape through glass walls, views of the museum's own light-struck exterior. It is a walker's museum, full of variegated spaces, points of rest, vistas, curves and a continual respiration between inside and outside...

Author: /time Magazine | Title: ARCHITECTURE: Getty Center and Guggenheim Museum in Bilbao: | 11/3/1997 | See Source »

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