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Word: victorian (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Dollar Rats depends largely upon characterization. Through repetitive statements that indicate they are perchance victims of some sort of mental imbalance his characters are carefully and knowingly sketched. Jack Houseman ("It's all the same--what does it matter") is very wealthy, very sick, and a collector of hideous Victorian furniture and bric-a-brac. His wife, Whiffy ("It's crazy! It's crazy!) doesn't really believe in collecting things, yet collects match covers avidly, wants to sell Jack's Victoriana for money, yet is terribly bored with money...

Author: By Gavin Scott, | Title: New Theatre Workshop | 5/15/1959 | See Source »

Included in this well-chosen show of the best of Beardsley's interesting, but unsatisfying, graphics are two paintings, by Burne-Jones and Albert Moore, demonstrating the Pre-Raphaelites' influence on him. When one realizes that these works were done by the leaders of late Victorian art, he can fully appreciate the scope and importance of Beardsley's technical accomplishment. Another artistic force in Beardsley's career, the Japanese eighteenth century print-maker, Utamaro, is likewise represented with two works. However, these subtle, lyrical works tend to point up Beardsley's limited emotional attachment. The conviction which dignifies...

Author: NO WRITER ATTRIBUTED | Title: Aubrey Beardsley | 5/1/1959 | See Source »

...Manhattan for the start of a nine-week cross-continent tour. The long-awaited look was not a disappointment. But, as with many such wonders, the anticipation was somewhat more exciting than the actuality. In the initial performances at least, the visitors demonstrated a technique linked to a floridly Victorian style that was frozen on pointe some 30 years ago-though in Galina Ulanova, they possess a prima ballerina who is still a true wonder of her time...

Author: /time Magazine | Title: Music: Bolshoi at the Met | 4/27/1959 | See Source »

...that a dusty curtain divided it in half, and on the working side there were still 1,310 seats. It was hardly the setting for an intimate, sophisticated new drama: Dear Liar, an adaptation by Actor Jerome Kilty of the famed letters between George Bernard Shaw and Victorian Actress Stella (Mrs. Patrick) Campbell. Nor was it precisely right for the stars: clip-toned Brian Aherne playing opposite no less a grande dame than Katharine Cornell, resplendent in velvet gowns by Cecil Beaton...

Author: /time Magazine | Title: THE ROAD: Shaw with Water | 4/27/1959 | See Source »

...with contenders in an American-type "Beautiful Babies" contest, for a New York publisher to be found naked in the hothouse of a dwelling on Wimbledon Common, or even for a member of Edwardian London's Drones Club to consult Webster's Dictionary rather than the Oxford. Victorian and Edwardian euphemisms such as "bally" and "ruddy" work their way into the tale of a British knight who once "allowed some hornswoggling highbinder to stick him with . . . dud Smelly River Ordinaries"*-and, of course, there are the usual Wodehousian references to or quotations from Shakespeare and Wordsworth, Walt Whitman...

Author: /time Magazine | Title: Books: Old Blighter | 4/27/1959 | See Source »

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