Word: victorian
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Dates: during 1980-1989
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...while shouldering its burden, the wan, uneventful plot. It seeks not only happy endings but also happy beginnings, happy middles, happy everything in between. Yet its charms include six songs from the film plus eleven more from the same team, Hugh Martin and Ralph Blane; a Disneyesque confection of Victorian houses; ice skating on a real-looking pond; a trolley that moves; and a lighted-up 1904 World's Fair...
...time that he is the only painter mentioned in any of Shakespeare's plays. Famous, and rather vulgar. If Raphael was the epitome of grace among artists of the High Renaissance and Michelangelo the paragon of sublimity, then Giulio was all licentious facility. So ran the judgment of our Victorian forebears, who could not quite forgive Raphael's best pupil for his indelicacy. An air of brilliant second- rateness still clings to his name. Those who can thrust their way through the crowds in Palazzo Te in Mantua and manage a long look at the enormous Giulio Romano show that...
...seven years since she left Washington, some of which she spent briefly at Harvard and then back at Yale, getting a master's, those "problems" have included the renovation of a Victorian house in Connecticut; the design of a stage set in Philadelphia; a corporate logo for financier Reginald Lewis; an open-air gathering place at Juniata College in Pennsylvania; and, soon, a "playful park" outside the Charlotte Coliseum in North Carolina (using trees shaped like spheres), and for the Long Island Rail Road section of New York's Pennsylvania Station, a glass-block ceiling, featuring fragmented, elliptical rings...
Some people collect Victorian hatpins. Others accumulate matchbooks. Mel Poretz, 60, is a compulsive collector of useless information. He knows exactly how many steps there are in his Merrick, N.Y., split-level home (21). As a child he knew how many stars surrounded the mountain peak in the Paramount Pictures logo (26 originally, now just 22). And like many people who are happy in their jobs, he has found a way to put his obsession to work...
...Fenton, a well-to-do Englishman who left a career in law to devote himself to the camera. Fenton's scenes of the Crimean War, made in 1855, were discreet by the bloody standards of battlefield imagery to come: no pictures of combat, no punctured flesh that might offend Victorian sensibilities. No matter, they represented a watershed. With these views of officers at leisure and a stark gully littered with cannonballs, the curtain had gone up on the theater of combat...