Search Details

Word: toumanova (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

DIED. TAMARA TOUMANOVA, 77, one of George Balanchine's 1930s "baby ballerina" prodigies; in Santa Monica, California. During a long, prolific and internationally acclaimed career, she danced and collaborated with some of the century's greatest artists...

Author: /time Magazine | Title: Milestones Jun. 10, 1996 | 6/10/1996 | See Source »

...times since the movies found voice that the moviegoer has been offered a picture without dialogue. Indeed, the absence of what passes for human speech in most movie scripts will probably attract more customers to this show than the presence of well-known dancers (Igor Youskevitch, Tamara Toumanova, Claire Sombert, Diana Adams, Belita, Carol Haney, Tommy Rail), who do not get much chance to strut their stuff...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 11, 1956 | 6/11/1956 | See Source »

Appearing as the immortal Anna Pavlova, Tamara Toumanova convinced me that she is every bit as immortal as the great Pavlova. Delicate, sensuous, and with an unforgettable, fragile beauty, I am sure she does not have an equal on the ballet stage. She floats, rather than dances, through Saint-Saen's The Swan and Anton Rubinstein's Valse Caprice...

Author: By E. H. Harvey, | Title: Tonight We Sing | 4/21/1953 | See Source »

Tonight We Sing (20th Century-Fox) is an opulent, star-spangled, two-hour film concert featuring the famed clients, past & present, of famed Impresario S. (for Sol) Hurok. The picture offers such flesh & blood talents as Tamara Toumanova, Isaac Stern, Roberta Peters, and the sound-track voice of Jan Peerce. It also fondly recalls such historic Hurok clients as Anna Pavlova. Eugéne Ysaÿe and Feodor Chaliapin...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 2, 1953 | 3/2/1953 | See Source »

Tonight We Sing is at its slickly Technicolored best when it makes music. As Russian Ballerina Anna Pavlova, Toumanova dances the famed Dying Swan. As noted Belgian Violinist Eugéne Ysaÿe, Isaac Stern plays a Wieniawski Concerto and Sarasate's Ziegeunerweisen. As Basso Feodor Chaliapin, Ezio Pinza, in a blond wig, swaggers off with the show by giving a lustily humorous performance and singing snatches from Mussorgsky's Boris Godunov, Gounod's Faust, and a chorus of The Volga Boatman. These latter-day artists offer an earnest approximation of the originals. David Wayne, using...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 2, 1953 | 3/2/1953 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | Next