Word: sung
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...hasn't Mildred recorded of late? Blame it on her integrity. She'd signed a contract with Decca largely on the strength of her two best-selling Gems of Jazz reissues, made years before for English Parlophone. She'd sung four perennial jazz numbers: "Willow Tree," "Honey-suckle Rose," "Squeeze Me," and "Downhearted Blues." Only Decca now wanted her to sing the latest. Mildred as usual wanted to make her own choices. In an up-and-coming singer it might be foolishness, but in an artist who has been on top for over ten years, who has developed...
Baltimore's semiweekly Afro-American promptly reminded Tunesmith Berlin that "the term 'd-y' [is] offensive to colored people." Said the Afro-American: "The piece is sung by Bing Crosby . . . and came to the attention of the Afro after it was blatantly rendered in its naked aspect by Fred Waring...
Three war movies were shown at the rally "Diary of a Polish Airman", "Listen to Britain", and "Five Men of Vellish", and a special United Nation Song, written by Dmitri Shostakovich was sung for the first time. A resolution was accepted by the audience to the effect that the report on Harvard's sale of bonds and war activities was extremely discouraging, and that greater effort towards a common action be made...
...worth. Following are two religious pieces of the 17th century, "Confitemini Domino" by Constantini and a setting for chorus of the 134th psalm by Bach's contemporary, Sweelink. The 18th century is represented by a beautiful chorus from Gluck's "Orpheus." The two modern choral works to be sung are unusual arrangements. "Mal" Holmes has turned the organ accompaniment of Mendelssohn's motet "Laudati Pueri" into a rich orchestral background, while the other modern piece, the "Valse Nobles" of Schubert, was an arranger's field day. First written by Schubert as a set of piano waltzes it was later fitted...
...youthful singers turned to polishing up their coming offerings: Offenbach's La Vie Parisienne, Verdi's Macbeth, Tchaikovsky's Pique Dame. They raised Steinway Hall's roof with incessant rehearsals. They were out to prove, once & for all, that opera does not have to be sung by middle-aged tenors and bulging contraltos. Between arias, they hotly argued this revolutionary' idea over hamburgers and milk in the 57th Street Automat. To the participants the New Opera is more than opera: it is a crusade. They came from all over the U.S., Canada, Mexico, even Hawaii...