Word: sung
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...Connic Boswell's arrangements have the jazz idiom down pat. "Everybody Loves My Baby" is perhaps the best of the sides, for it includes a great trumpet solo by Bunny Berigan as well as the rousing antics of the trio.... I also liked "There'll Be Some Changes Made," sung as a blues.... Someone asked me how to get to the Savoy Cafe to hear the Frankie Newton band. Take an Egleston car from Park Street, get off at West Newton Street, walk a block north to Columbus Avenue and make for the green-lighted sign across the street...
...early Victrola era, a prized record was the $7 single-sided Sextet from Lucia, sung by Caruso, Tetrazzini, Jacoby, Amato, Journet, Bada. In the hysterical years of World War I, secret service men shadowed non-Germans Leopold Stokowski, Ossip Gabrilowitsch, Leopold Godowsky. The conductor-worshiping '205 showed the most extreme faddism ("Toscanini conducting Italian nonsense could pack the hall"). In the late-lamented Flagstad epoch, Tristan & Isolde grossed $150,000 in nine performances, "thereby becoming the greatest 'hit' ever to strike Broadway...
Daybreak was greeted by a ship's boy ("on the same principle as having family grace said by the youngest child") with the singing of a hymn. Further similar hymns were sung at almost every half hour of the day. But piety did not prevent the sailors from becoming terrified as the voyage went on, from plotting mutiny and the murder of Columbus. Only the landfall at San Salvador in the Bahamas prevented some kind of outbreak. Nor did piety stop the "white gods" from swindling, kidnapping, murdering and raping Indians before they had been a month...
This corny ditty became almost sanctified by the countless heroic circumstances under which it was sung during World War I. The words were written in 1915 by a British vaudeville actor named George Powell. He and his piano-playing brother, Felix Lloyd Powell, who wrote the music, netted $60,000 from the song...
Nobody had ever bothered to ask the ultraconservative audience at Manhattan's Metropolitan Opera House what language they thought opera should be sung in. What a question! Operas are given there as they are written, in French, German, Italian. But last week the Metropolitan Opera Guild collected a jury in its famed red-and-gold interior. Critic Olin Downes argued for opera in the composer's language. Ex-Prima Donna Florence Easton pleaded for translation into the audience's tongue. Metropolitan Stars John Brownlee and John Carter sang parts of Rossini's good-humored The Barber...