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...Stands for Hays Office. What is the Hays Office? The Hays Office is the office that saves you from being corrupted by any and all sin in the cinema. . . . There is a pledge of honor. . . . This oath is usually sung by the novitiate with the assistance of a massed choir. Novit...

Author: /time Magazine | Title: Radio: Hollywood Heckled | 3/20/1944 | See Source »

...finest was Victor Maurel. Since he introduced the role at Manhattan's Metropolitan Opera, it has also been sung there by the late Antonio Scotti and by Lawrence Tibbett. Last week the Met presented its fourth Falstaff: big, pudgy 33-year-old Leonard Warren, whose suave baritoning was the hit of last summer's opera season at Buenos Aires' Teatro Colón (TIME...

Author: /time Magazine | Title: Music: Ample Leonard | 3/20/1944 | See Source »

First of all, Ginger Rogers while a fine actress, is no Gertrude Lawrence, and certainly cannot put over a song the way she could. The "Saga of Jenny," one of the most amusing songs over to be sung in a movie, is still good, but it doesn't make the hit it did when Gerty sang...

Author: NO WRITER ATTRIBUTED | Title: MOVIEGOER | 3/14/1944 | See Source »

Grace Moore ultimately became the U.S. moviegoer's idea of a great opera star. Music critics have always deplored her dramatic extravagances and lack of vocal subtlety. Of the four roles for which she is known (Mimi, Tosca, Manon, Louise), all have been sung better by others. Her finest performance is her ebullient interpretation of Gustave Charpentier's Louise, in which she was carefully coached by the composer...

Author: /time Magazine | Title: Music: Exuberant Grace | 3/13/1944 | See Source »

...best Carmens in a decade: dusky Jennie Tourel. Daughter of a traveling Russian fur merchant, Jennie Tourel, once a prima donna of the Paris Opera-Comique, now lives with her Latvian artist husband, Leo Michelson, in a four-room Manhattan apartment. Her Carmen (a role she claims to have sung about 200 times) was full of Gallic spice and neat as a championship billiard game. The City Center's Martha, a bid to the Broadway trade, looked and sounded more like musical comedy than opera. So did its star: dark-haired, convent-bred Ethel Barrymore Colt (daughter of Actress...

Author: /time Magazine | Title: Music: Rhinestone Horseshoe | 3/6/1944 | See Source »

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