Word: stage
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Dates: during 1990-1999
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...took far more courage. Harry Truman, a plainspoken man with gut instincts for what was right, forcefully began the struggle against Soviet expansionism, a challenge that Roosevelt was too sanguine about. Ronald Reagan and Mikhail Gorbachev helped choreograph the conclusion of that sorry empire's strut upon the stage. So too did Pope John Paul II, a Pole with a passion for both faith and freedom. And if you were to pick a hero who embodied America's contribution to winning the fight for freedom, it would probably be not Roosevelt, but instead the American...
Roosevelt made another great contribution: he escorted onto the century's stage a remarkable woman, his wife Eleanor. She served as his counterpoint: uncompromisingly moral, earnest rather than devious, she became an icon of feminism and social justice in a nation just discovering the need to grant rights to women, blacks, ordinary workers and the poor. She discovered the depth of racial discrimination while touring New Deal programs (on a visit to Birmingham in 1938, she refused to sit in the white section of the auditorium), and subsequently peppered her husband with questions over dinner and memos at bedtime. Even...
...insight electrified his colleagues and inspired a flurry of productive activity that has now convinced many that string theory is, in fact, on the right track. "It smells right and it feels right," declares Caltech's Kip Thorne, an expert on black holes and general relativity. "At this early stage in the development of a theory, you have to go on smell and feel...
Elizabeth's way of escaping gender restrictions and defining herself as a legitimate ruler lay in consummate imagemaking. She stage-managed her own personality cult. She dressed to kill, glittering with jewels in wondrous costumes to bedazzle her subjects. She went on royal progresses--the equivalent of photo-ops--to show off and get to know her people. She had the common touch, able to rouse a crowd or charm a citizen. She had flattering portraits painted and copies widely distributed. She encouraged balladeers to pen propagandistic songs. Her marvelous mythmaking machinery cultivated a mystic bond with the English people...
...towering that a cynic looking back could not have contempt for it. To re-create the bustling, politically contentious '30s, when a young Orson Welles tried to stage the socialist musical The Cradle Will Rock with federal funding, Robbins has splashed a couple of dozen real people onto a garish movie mural, Diego Rivera-style. While Welles (MacFayden) and producer John Houseman (Elwes) try to persuade their government patron (Jones) not to cancel the show, Nelson Rockefeller (Cusack) romances Rivera (Blades), then literally trashes his work. There's also a young actress (Watson), an old ventriloquist (Murray), a swank saleswoman...