Word: stage
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Dates: during 1940-1949
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...Respect. The professional sheen is applied by a cherubic-looking producer named Worthington Miner, 49, who came to television ten years ago with a directorial credit list of Broadway hits (Five Star Final, Reunion in Vienna, On Your Toes). Borrowing liberally from stage & screen (he also did a stint with RKO in Hollywood), "Tony" Miner has pioneered in TV with such effective techniques as the use of recordings for unspoken thoughts; the blending of film and live acting, and the combination of close-ups and long shots to get depth on the screen. His fondness for last-minute technical tinkering...
...molars were their own. "Finally, this babe with me reached over," said one marine, "and took hold of my teeth and tried to yank 'em and I let her. She was sure surprised when nothing gave." Before the division left Melbourne most of the men "were in some stage of a serious love affair with an Australian girl...
...Houghton's oddest and choicest possessions is its theater collection, a diverse conglomeration of play manuscripts, autographs, playbills--even a clipping file on contemporary screen and stage stars. The collection's size and completeness make it a valuable source of theatrical information: Cornelia Otis Skinner did research for her book "Family Circle" there; queries along the lines of "should Macbeth be played in kilts" are always coming in. A movie company once called up from Hollywood to find out whether Jenny Lind had ever sung in some saloon in Tombstone, Arizona. (She hadn...
Thornton Wilder's "Our Town" was performed last. The parts of the young lovers, Emily and George, were taken by Rence Michelson '53 and Burns. England played the Stage Manager and Lois Abrams of BU and Louise Luechm '53 acted minor roles...
...pleasantly dissonant tuning up and chatter stopped in mid-note as the grey-haired man in the tan sport coat walked briskly across the stage to the podium. For a few silent moments his glance flickered over the musicians of the Boston Symphony Orchestra, his shale-blue eyes and handsome, melancholy face warm with affection. When his glance had embraced them all, Charles Munch picked up his baton, smiled and said: "Maintenant, relax." A moment later, Boston's 50-year-old Symphony Hall was rocking joyously with the rehearsal of Hector Berlioz' bounding overture, The Corsair...