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Word: stage (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...deafness by teaching her to ignore telephone bells, suddenly clashed pot covers, unexpectedly fired questions. Conditioned reflexes to sight and sound came under control. The cast still remembers with amazement the night at Manhattan's Playhouse theater when a cable snapped with a loud crack high over the stage. Anne and the spaniel that plays the Keller family dog jumped a foot. Patty Duke, as the deaf Helen Keller, did not even start...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

...first," recalls Director Penn of the Seesaw rehearsal, "she could hardly find the stage. She couldn't stand. She couldn't turn. She'd play with her back to the audience. She was too broad and too vulgar. Even the lawyers and agents connected with the show said, 'She's no good; dump her.' " But Penn had already recognized something Anne's critics had not: she took direction admirably. "I even had to tell her where the jokes were, but once was enough." On the road Gibson would "write a funny line...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

...Bancroft swore helplessly under her breath, Patty promptly began making her "noises," the grunts of the speechless, to cover Anne's indiscretion. When Anne finally whispered, "I'm going to shove you out the window," Patty made the drop and managed to make her way to her stage mother...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

Married. Teresa Wright, 40, actress of stage (The Dark at the Top of the Stairs), screen (The Best Years of Our Lives) and TV (The Miracle Worker); and Robert Anderson, 42, playwright (Tea and Sympathy; Silent Night, Lonely Night); both for the second time; in Los Angeles...

Author: /time Magazine | Title: Milestones, Dec. 21, 1959 | 12/21/1959 | See Source »

Like other Sinclair novels, Theirs Be the Guilt has its Lanny Budd, i.e., a character who, when history's big scenes are played, is to be found stage center, or at least behind the arras with tape recorder. Here, this character is Allan Montague, a boy growing up on a slightly mythical Southern plantation, with a swarm of smiling Negroes in the great house-and another swarm of Negroes out in the cotton fields, where it is hard to see if they are smiling or not. Probably not. But for Allan and his dashing cousins, 'Dolph and Ralph...

Author: /time Magazine | Title: Books: Molasses & Manassas | 12/21/1959 | See Source »

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