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...recent trip to Paris, I hadn’t even been in the country five minutes before the French’s disapproval of America became all too apparent. Advertisements for Fahrenheit 9/11 were plastered around the metro, while Le Monde Selon Bush (The World According to Bush)—another documentary suggesting that Bush deliberately made erroneous statements about WMDs in Iraq—was playing in theaters. The cover of the daily magazine L’Humanite portrayed Michael Moore dressed up like the Statue of Liberty, wearing his signature baseball...

Author: By Lia C. Larson, | Title: Football Bench-Warmers | 7/9/2004 | See Source »

...Selon Pli-meaning "fold along the fold"-is based on three poems by Mallarme and was begun in the late 1950s. With piano, guitar and mandolin, it also enlists a soprano soloist and a full orchestra, runs 60 minutes, and is easily Boulez's most ambitious composition to date, outstripping even his 1955 Le Marteait sans Maitre. Severely serial, the work begins with a crash and a delicate wash of impressionism, a mixture of Debussy and Webern. Much of it glitters with the percussive polka-dotting of pointillism; all of it is abstract, moving in tiers of timbres, skeletal...

Author: /time Magazine | Title: Music: Fold and Rap | 2/22/1971 | See Source »

...innovations like these, says Boulez, that make him still contemporary today. Boulez should know. As a leading avant-garde composer himself (Pli selon pli), he is the outstanding exponent of Debussyean principles. "My performances of Debussy are not just historical reconsiderations," he says. "The only masterpieces that are vital today are the ones we can take a modern point of view about. Who can tell you about the reality of Debussy at the turn of the century? Nobody...

Author: /time Magazine | Title: Music: Debussy Rediscovered | 1/5/1970 | See Source »

...Caius is a French physician in the play whose accents, mannerisms and character are constantly ridiculed, and whose energy is one of the play's driving comic forces. He had a habit, selon Terry Hands, the director, of kissing those he presumed to be his friends on both checks. The trouble was that all his friends were Englishmen, or normal height, and he was about 4'10". Hence to reach each check he had to hop, and his helloes and good-byes became increasingly more hilarious sight gags...

Author: By Frederic C. Bartter jr., | Title: Shakespeare and the RSC | 11/24/1969 | See Source »

...Bride Wore Black would appear a step in the wrong direction, Truffaut having subtitled it unofficially his "hommage a Hitchcock," the film directly after publications of the huge Le Cinema Selon Hitchcock now on everybody's coffee table. But the film pleasantly reveals Truffaut as having learnt more and imitating less. Only the music (by Bernard Herrman, composer of Vertigo and five other Hitchcocks), and a few shots (for example, the early close-up of the suitcase, from Marnie) recall specific Hitchcock films, and Truffaut provides instead a carefully crafted film molded around stylistic devices Truffaut reveres as a result...

Author: By Tim Hunter, | Title: The Bride Wore Black | 7/30/1968 | See Source »

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