Word: fahrenheit
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...film needn't take a prize at Venice to grab the attention of the world press. Michael Moore, whose Fahrenheit 9/11 is the top-grossing documentary of all time, shifted his focus to the financial meltdown in Capitalism: A Love Story. Provocative and wildly ambitious, it expands beyond the housing and banking crises of the past year into an epic of malfeasance: capital crimes on a national scale. With enough corporate villains to stock a hundred melodramas, who is the hero? The writer-director-star himself. There he is, attempting to make a citizen's arrest of AIG executives...
...enough about them. We know they're going to get together, despite the heat between them topping out at about 56° (Fahrenheit, sadly), but we never get vested in the romance. Eckhart's best moments are the ones in which we see Burke psyching himself up to glad-hand his fans. But problematically, even after we've seen the "real" Burke, the snake-oil salesman with the sharky grin is more convincing. So it's far more satisfying to focus on the supporting actors, the people who try their hardest to make this cutely maudlin movie bearable...
Capitalism: A Love Story does not quite measure up to Moore's Sicko in its cumulative power, and it is unlikely to equal Fahrenheit 9/11 in political impact. In many ways, though, this is Moore's magnum opus: the grandest statement of his career-long belief that big business is screwing the hard-working little guy while government connives in the atrocity. As he loudly tried to confront General Motors CEO Roger Smith in Roger & Me in 1989, and pleaded through a bull horn to get officials at Guantanamo to give medical treatment to surviving victims of 9/11...
...Banking establishments are more dangerous than standing armies." So wrote Thomas Jefferson to a friend in 1816. Now Michael Moore, whose Fahrenheit 9/11 took on the U.S. Army, and the entire military-executive-industrial establishment, brings his latest documentary, Capitalism: A Love Story, to the Venice Film Festival. The land of Macchiavelli and the Medici is the perfect setting for Moore's nonfiction tragicomedy of greed and chicanery on Wall Street, in Washington, D.C., and through the entire economic apparatus. The movie will have its world premiere here tonight, before playing the Toronto Film Festival next week, opening Sept...
...energy crisis is a prime example of this societal contrast. Because of poor infrastructural planning, the government has been caught off-guard by the spike in demand for energy accompanying increased population growth. To conserve energy in the summer months, when temperatures regularly exceed 100 degrees Fahrenheit, it has instituted load-shedding, or nationwide rolling blackouts. I was told to prepare for the worst load-shedding to date, with blackouts nearly every other hour. I heard about struggling families relying solely on candlelight to run their households. This is no way to live, but in theory, every Pakistani would bear...