Word: screened
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Dates: during 1930-1939
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...Entry No. 436. He agrees that she has no chance for the part but talks her into flying to Hollywood for the trip, with her Aunt Phoebe (Edna May Oliver). After a twirl on the ice with her pupils, Trudi consents. Although Trudi does no skating in her screen test, she makes the grade. Jimmy believes that, as the new star, she can be used to bolster the publicity value of Roger Maxwell (Rudy Vallée), a crooner on the studio pay roll whose self-esteem is more impressive than his newsworthiness. Touched by Roger's mash notes...
...Government of duty on trinkets for his wife. Paramount's chin-up reply to this embarrassing publicity was to hold a world premiere of the film in Waukegan, Ill., where Comedian Benny was born Benjamin Kubelsky 45 years ago. The film, another Jack Benny performance of his standard screen personality, a garrulous, cigar-chewing gull ready to be talked into anything once, is almost an exculpation in itself...
...wonder of life never paled for Professor Conklin. When he taught undergraduates and flashed images of microscopic plants and animals on a stereopticon screen, Conklin himself looked at them with open-mouthed awe. At the close of their senior year he always advised his students to get married the day after graduation. From 1908, he stayed at Princeton, ripening not only in years, but-as many other old-fashioned teachers do not-in wisdom and prestige...
...result is skimpy where Hollywood has done little prospecting (Colonial days), rich where Hollywood has found the pickings good (Reconstruction, World War, etc.), authentic chiefly when the newsreel camera has the screen. More reliable as a history of Hollywood enterprise than as history straight, Land of Liberty recalls the cinema great from Griffith (America) to Disney (Building a Building), not forgetting Mae West (Belle of the Nineties) or the MARCH OF TIME. It opens with Roosevelt II rededicating the Statue of Liberty, scurries back 400 years to show why the early colonists left Europe, hits the high spots from then...
...good screen story, a capable unstarred cast and direction that supplies suspense of Alfred Hitchcock calibre lift Five Came Back out of the Swiss Family Hollywood class and up to the distinction of a sort of Stagecoach on wings. Director of Five Came Back was 35-year-old John Villiers Farrow, an Australian-born seaman-author-director and soldier of fortune who jumped a ship in Honolulu, worked his way to Hollywood in 1927, has been a cinemauthor and director there, as well as in France and Austria. As a low-budget director at Warner Bros, he fired no worlds...