Word: screened
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Dates: during 1930-1939
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...addition to its crackling screen play (by Norman Reilly Raine and Warren Duff from Jerome Odium's novel), its sharp camera eye (Warners' Director William Keighley), Each Dawn I Die is made memorable by the easy mastery of its two principals. Cinemactors Cagney and Raft, the screen's two deadliest Ruffie MacTuffies, have been friends ever since they began their careers as vaudeville hoofers in Manhattan in the 205. Cagney was responsible for one of Raft's earliest cinema parts, a dancing bit in Cagney's Taxi. Their appropriate reunion, also celebrating their return...
...what the movie industry still calls a Douglas Fairbanks role may at last mean a place above the Hollywood salt. Born 30 years ago in Johannesburg, son of an English banker, Actor Hayward made his London stage name as a juvenile smart enough for Noel Coward shows, his screen debut in the English version of Sorrell and Son. Brought to Hollywood four years ago, he swashbuckled promisingly in Anthony Adverse but soon ran into an unpredictable snag: he began losing his British accent. Last year Producer Edward Small rescued him from the B's and supporting parts to skate...
...cinema jobs off & on, worked on the original screen play of Thanks for Everything. Twice married, he has two children by his first wife...
...with Tyrone Power, was just that. Her less publicized friendship for Jeff Dickson* ended when she left Europe for the U. S. in 1936. She gave him back his jewelry. Her parents regarded with approval middle-aged Clifford Jeapes (pronounced Geeps), British cinemagnate who gave Sonja her first (unsuccessful) screen test. Romantic friends incline to the belief that the only man Sonja Henie has ever really been interested in was Jack Dunn, the handsome 19-year-old Cambridge undergraduate aviator who was her fellow-skater and constant companion on her 1936 tour, had a movie contract in his pocket when...
...playwright and screen writer, Samson Raphaelson is as good as they come. His light comedies (The Jazz Singer, Young Love, Accent on Youth) not only packed them in, critics liked them too, praised their deftness, wit, freshness. But Broadway and Hollywood are not Parnassus. Skylark, a fluffy first novel originally written as a play (serialized in the Satevepost as Streamlined Heart), last week proved that Samson Raphaelson's stuff is better on boards than in them...